A Quote by Bill Kaulitz

I never saw myself as the classic singer/songwriter who sticks to his guitar. — © Bill Kaulitz
I never saw myself as the classic singer/songwriter who sticks to his guitar.
I never took singing lessons. I guess, I feel comfortable with it, but I do not feel like a singer. I never want to sing without a guitar in my hand. I consider myself more of a songwriter, rather than a singer. I could never be in a wedding band and just sing Marvin Gaye songs.
I always saw myself as a singer-songwriter, a solo-artist, that's why working with other artists was never satisfying for me.
I never saw myself as a spokesman for a generation. It was all a bit heavy for me. I saw myself as a songwriter and wrote for myself, which I still do, and I also wanted to communicate with my audience.
Michael Jackson is an underappreciated songwriter and an underappreciated singer. I think the world only gives him the most recognition for his dancing. He was an awesome singer and an amazing songwriter.
I never thought of myself as a performer or songwriter or singer.
I made a promise to myself to write songs I liked. I'm an acoustic singer/songwriter, and I need to be able play every song by myself on guitar. No matter what the production ends up being on the record, I've got to be able to go out and sell it all on my own. It's about connection.
I think I come under the singer/songwriter badge. I've always written songs right from the very beginning. Because of my style of playing people tend of me more of a guitar player than a singer sometimes.
What Autotune allows is for people like myself and Kanye West not to depend on the singer. Back in the Fifties, the songwriter was rendered invisible. Now the songwriter is there in the forefront.
Anyway, in my performance style, I'm a singer-songwriter. People can call it neo-soul or R&B or whatever. But at the core, when you see me live, I'm a singer-songwriter.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer, songwriter, or find a singer to develop.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer/songwriter, or find a singer to develop.
I wanted to be a blues guitar player. And a singer. And a songwriter. Not a shock jock.
I never knew I was a songwriter. I didn't even know I was a singer. My parents just got me a guitar 'cause my uncle told them to get me one, and I started fooling with it.
I always liked playing music and I always wanted to be good at playing guitar. I always saw myself as an old man living in the mountains playing a guitar, but I didn't really turn that into a desire to be a professional musician or a singer or a rock star or anything like that.
I grew up playing guitar and writing music, and I always wanted to be a songwriter and a singer and play the guitar. But while I was finishing college, my drag became lucrative, so I had to pursue what was going to pay the bills - and doing comedy as Trixie was something that I was able to market.
When I was 6 I thought that I wanted to be a musician - like a singer-songwriter. That's what I romantically envisioned for myself. But in reality the experience of getting into music was just the opposite. My parents signed me up for classical guitar lessons, which made for two years of the most depressing Wednesday evenings.
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