A Quote by Bill Skarsgard

In movies we tend make things black and white: you're either this, or you're that. — © Bill Skarsgard
In movies we tend make things black and white: you're either this, or you're that.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
The perceived wisdom is that people do not go in large numbers to black-and-white movies anymore - which is a great shame, but I'd love to make a black-and-white movie one day.
We like things to be black or white, tall or short, here or there. We like to consider two sides to every story. Unfortunately, there aren't always two sides. Sometimes there's only one; more often, there are multitudes. Many facets on the stone. Nooks and crannies in abundance. Things are usually not either black or white, but multicolored.
Here's the thing. We do a movie with a predominantly black cast, and it's put in a category of being a black film. When other movies are done with a predominantly white cast, we don't call them a white film. I'm trying to remove the stigma off things they call black films.
...Do you see things in black and white, or are there shades of gray for you?" "I hope there's gray...Black and white make things easier, but only if you don't want to think.
The whites have always had the say in America. White people made Jesus white, angels white, the Last Supper white. If I threaten you, I'm blackmailing you. A black cat is bad luck. If you're put out of a club, you're blackballed. Angel's-food cake is white; devil's-food cake is black. Good guys in cowboy movies wear white hats. The bad guys always wore black hats.
If you're going to make black movies only about black people, that's as bad as white movies only about white people.
One of the things I'm concerned about is that I really want to make sure the races of all the characters are kept. I don't like it when black characters become white in movies, or things like that.
Nowadays, people shoot digitally and it's all in color, but you press a button and it all goes to black and white. But it's not lit for black and white. So, it's a tricky thing. If you're going do black and white, you better remember to separate things with light, because color ain't gonna be there.
Some people never learn the art of compromise. Everything is either black or white. They do no recognize, or will not concede, that the equally important color gray is a mixture of black and white.
I don't judge my effectiveness by how many words I say. I think liberals often see nuances in things... Conservatives tend to see things in black and white. It gives them an air of certainty and conviction that might make them more comfortable to watch.
My books tend to have a lot of questions in them, and they tend to avoid black and white, for lack of a better metaphor.
The issue of redistribution of resources and wealth needs to resolved systemically, but in the meantime but there are individual spots you can occupy. There are things that you can do on a daily basis that will make a difference in moving the needle in individual lives. When we look at the mentoring of young black kids, for instance, the number-one mentor group is white women. I think after that maybe it's black women, and then white men, and then black men. We can make all kinds of arguments about that.
I am astounded at my age with a 20-year-old daughter to discover that kids of her generation don't want to watch black and white movies. I understand that they gave up on silent films, but black and white? So, now movies have to be taught in academia because people don't know how to watch them, they don't know how to appreciate them.
Many people say that this is not an easy issue, we cannot just say that this is how it is, it's not black and white. But I say that this is black and white. Either we stop the emissions or we don't. There are no gray areas when it comes to survival.
I make a composition with a white and a black, and make adjustments when the white has become a paper and the black a shadow.
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