A Quote by Bill Walton
I had this fantastic collection of Grateful Dead T-shirts and live concert music the band had give me over all these years, decades of material, and when our boys became teenagers they started going through everything and wearing the shirts and listening to the music and that's what the Grateful Dead is all about.
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I'm just grateful. I'm grateful for my family, my wife, and our health. I'm grateful to be in a band of brothers that I love so, so, so much. I'm grateful that this magical combination of dudes makes music that people like and moves them.
We didn't invent the Grateful Dead, the crowd invented the Grateful Dead. We were just in line to see what was going to happen.
For years I've been seeing my young brothers wearing Scarface T-shirts, John Gotti T-shirts, Rick James T-shirts. We don't have any icons or idols to look up to, just rappers and professional athletes.
A Grateful Dead concert is much more than the music: it's an experience, almost like being in a family of thousands of people.
When I was growing up, I saw the Aaliyah shirts, the DMX shirts, or the collab shirts with DMX and Aaliyah when they had a single together. Those were the dope collage shirts with their faces all over it. They were doing cool things like that.
I used to buy all my shirts at Brooks Brothers, but that was completely ruined about 20 years ago. They discontinued the shirt I liked. If I had only known this - I mean, if you're going to discontinue an item that thousands and thousands of people buy, announce it. Say, 'We will no longer be making our excellent Brooks Brothers cotton shirts that we made for 5,000 years. We're going to change them in some awful way. We're alerting you so you can buy a lifetime supply.' Shirts don't go bad, they're not peaches.
In a way, it's my way of dealing with, finding closure with Grateful Dead music, and giving thanks in a way to Jerry and Bob and all the guys in the band for making up this wonderful music.
One of the things that the Grateful Dead did, way back when, was we spent a lot of time just turning each other on to music. If somebody was listening to something that really caught their ear, they'd make sure that everybody else in the band heard it, and that came home for us in innumerable ways.
A lot of the music is the kind of thing I grew up with, listening to it with my parents. So there was a band in London called the BBC Big Band, and I sang with them. And I had never done a big band before, and it was just so fantastic and I had such a good time...so that's how it all came about
My dad was all about music. He was a musician, leading a band when I was born. His band was active all through the 40s. He'd started it in the late 20s and 30s. According to the scrapbook, his band was doing quite well around the Boston area. During the Depression they were on radio. It was a jazz-oriented band. He was a trumpet player, and he wrote and arranged for the band. He taught me how to play the piano and read music, and taught me what he knew of standard tunes and so forth. It was a fantastic way to come up in music.
I love live music. I love going to the event. And to know them as people and to have seen the Grateful Dead grow up and become who they are is so incredibly special.
At 13, I was wearing plain t-shirts. Then I used to steal my mom's clothing. She had all these crushed-velvet shirts with French-cut sleeves. And, like, seersucker bell-bottoms.
Make no mistake about it: Legalization is not about, you know, Cheech & Chong smoking marijuana or, you know, a Grateful Dead concert; it's about creating the next Marlboro of our time, the next Philip Morris and R.J. Reynolds, the Big Tobacco all over again.
One time, the homie Venus[-X] read me; we were on the phone and she was like, "Girl, you keep wearing jeans and t-shirts at your shows, but the music doesn't give that." I was like, "You're right, I need to be the person that I am at school, making dance and choreography. I should think about the whole performance." That's when I put the 1 in my name and started dressing for the occasion.
I think most people's record collections are more interesting than radio generally gives them credit for. You're likely to be as interested in the Grateful Dead as Palestrina. It pisses me off how compartmentalised music is. I used to be in a punk band, you know?
... Everything we (the Grateful Dead) ever did was a demonstration of the value of cross-fertilization, It was unconscious at first, but when we started looking at each other, we had all these different influences... Bobby Weir used to call it electric Dixieland.
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