A Quote by Bill Watterson

I think the experience forced me to consider how interested I was in political cartooning. After I was fired, I applied to other papers but political cartooning, like all cartooning, is a very tough field to break into. Newspapers are very reluctant to hire their own cartoonists when they can get Oliphant or MacNelly through syndication for a twentieth of the price.
I've been interested in cartooning all my life. I read the comics as a kid, and I did cartoons for high school publications - the newspaper and yearbook and soon. In college, I got interested in political cartooning and did political cartoons.
The art of cartooning is vulgarity. The only reason for cartooning to exist is to be on the edge. If you only take apart what they allow you to take apart, you're Disney. Cartooning is a low-class, for-the-public art, just like graffiti art and rap music. Vulgar but believable, that's the line I kept walking.
I wasn't having any luck getting accepted anyway and it forced me to re-examine what it was that I really wanted to do. In my experience in political cartooning, I was never one of those people who read the headlines and foams at the mouth with rabid opinion that I've just got to get down on paper.
I've always defined myself not as a cartoonist , but as an entrepreneur. That was true before I tried cartooning. I always imagined cartooning would be how I got my seed capital. I always thought my other businesses would be the less dominant part of my life.
I've always defined myself not as a cartoonist, but as an entrepreneur. That was true before I tried cartooning. I always imagined cartooning would be how I got my seed capital. I always thought my other businesses would be the less dominant part of my life.
Cartooning is a wonderful career, and I'd like more women to get to have it. I can't think of any reason why we won't see more syndicated female cartoonists in the future.
There was a teacher who recognized that I was interested in cartooning and he was great.
I don't think that what I'm doing [political cartooning] is necessarily left versus right. What I'm addressing is top versus bottom. If I'm not spending a lot of time making fun of the more extreme elements of the Green Party, it's because what I do is to critique power.
So cartooning, for me, is an honorable thing. It's pushing the envelope. It's the truth of something through exaggeration
So cartooning, for me, is an honorable thing. It's pushing the envelope. It's the truth of something through exaggeration.
My future plans are hazy, and I've yet to experience how much cartooning is in my blood and therefore how much I'll miss it. But I have some other interests, especially in music, and I will probably take the opportunity to delve into those things more deeply.
I think cartooning gets at, and re-creates on the page, some sixth sense ... in a way no other medium can.
And all the things I thought were mistakes and I did cartoons on them. And then I think I was the first cartoonist in the country to attack the war in Viet Nam and that helped influence a whole generation of young cartoonists who later on took up the battle. And that was exciting to know that I had helped influence work of young people who were moving this forum into a better and more exciting area, out of the more by the state that political cartooning had been in.
I'm really interested in making a mark on a paper and letting that be cursive shorthand for an idea - that's the origin of cartooning.
I attended the Columbus College Of Art & Design for a little while, until I realized they didn't take cartooning very seriously.
The journalism school helped me develop writing skills, and I had been enjoying cartooning from a very young age. My interest in puppetry, however, came much later.
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