A Quote by Billie Joe Armstrong
We never fit in completely to [the punk] scene because we were writing love songs that were heartfelt and endearing. Some of the punks didn't know what to make of us, but I finally realized that was what made us punk. We sang what we meant, from the heart, and didn't worry about what anyone was going to think.
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DEVO was like the punk band that non Punk America saw as Punk and so when people who were really into Punk rock would be walking around on the streets the jocks who learned about Punk through Devo would roll down their windows and yell at the Punks: 'HEY, DEVO!!'
I guess, for me, what started me getting real excited about music was the New York punk and new-wave scene. All those bands looked back to the Velvet Underground and the Stooges and the Modern Lovers as well. But that was back when Television were punk, and the Talking Heads were punk.
I am very grateful to punk because I was a girl, and I felt like if I got in a band, I'd be kind of a novelty act, but punk was all about non-discrimination. No one cared because it was punk, so, you know, anyone could do anything they wanted.
I kind of remember a friend of mine saying, like, you guys should make a rap record. You know, because we were already making punk records. We were a punk band. And I kind of thought, that's crazy.
I can say is our point of reference - and I think that does make us different from some bands and similar to other bands too. But it's just that spirit - it's sort of like a punk spirit - but it's not punk meaning or as in like "I'm here and I'm going to get thrashy and bloody on-stage" - but, we're not going to listen to the rules and the roles already set in place. We just want to make music that is heartfelt and feels good and sounds good to our ears, and hopefully to many other's ears as well.
We were a small group of weirdos and baby punks and gays and free spirits who had to use our imaginations a lot. We only saw pictures and read zines, so we could only interpret the aesthetic and message of punk scenes around the world. We were basically the duck-billed platypuses of punk.
It was an important period for us, because even though we weren't a "punk band", and what became a model for a punk band, we were able to be dragged along by the spirit of that time.
I was part of punk's second generation, so, not the first wave of '70s punk, but the American hardcore scene. I had a really strong love for music prior to that, but punk created a new template.
Punk rock, to me, was always outsiderness. When I first saw large-group-scene punk rock, I was repelled by it, because there were way too many people who agreed with each other.
I think we saw our reaction coming from Dada, but at the same time, it formed into punk, which was very much a reaction to the social conditions. That was part of it for us as well, and that's why we were kind of swept along with punk.
Johnny Rotten isn't punk. Maybe that's punk to somebody, but these people are participating and challenging the corporations that are telling us what punk is and what good music is.
I always thought love made you stupid. Made you weak. A bad Shadowhunter. 'To love is to destroy.'I believed that[...]I used to think being a good warrior meant not caring,[...] And then I met you. You were a mundane. Weak. Not a fighter. Never trained[...] Love didn't make you weak, it made you stronger than anyone I'd ever met. And I realized I was the one who was weak.
The whole punk scene is, of course, responsible for the Go-Go's ever getting created. Because before punk rock happened, you couldn't start a band if you didn't know how to play an instrument. But when punk happened it was like, 'Oh, it doesn't matter if you can play or not. Go ahead, make a band.' And that's exactly what the Go-Go's did.
I hadn't played any music since freshman year of college, more than thirty years ago, so I had to relearn everything. I started writing songs. Some were dance and trance songs (I listen to them a lot while I'm writing), and some were love songs, because that after all is what music is about - dancing and trancing and love and love's setbacks.
I went to a fancy dress party as a punk. I went through a stage of being a wannabe punk from the '70s. So, my next-door neighbours were like hardcore punks and I went to see The Vibrators and came home with a T-shirt that said "The Vibrators". My mum said: "You're not going out in that!" But I was really into it. I did soon grow out of it. But that's probably the most embarrassing story I have. I really am just quite normal.
My drawing came out of editorial-style cartoons. Music was one thing and art was another, and there weren't really any standards for my art. My work was just drawings. They weren't done with any aspirations of becoming a part of punk scene. They weren't about punk. They were just collections of drawings, some of which I xeroxed and sold.
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