A Quote by Billy Corgan

To me, music was about being accepted and escaping from this crummy existence. — © Billy Corgan
To me, music was about being accepted and escaping from this crummy existence.
If I was concerned about being accepted, I would have been doing Ansel Adams lookalikes, because that was easily accepted. Everything I did was never accepted...but luckily for me, my interest in the subject and my passion for the subject took me to the point that I wasn't wounded by that, and eventually, people came around to me.
Meditation is nothing but coming to terms with your inner emptiness: recognizing it, not escaping; living through it, not escaping; being through it, not escaping. Then suddenly the emptiness becomes the fullness of life.
If someone is cynical and doesn't vote and ends up with a crummy job in a crummy country with a decimated environment, they only have themselves to blame.
Forget about what you are escaping from. Reserve your anxiety for what you are escaping to.
I'm old, I'm used to crummy service, I'm trained to get crummy service. To me, the fact I can get through to a call centre and then hold for 15 minutes, I don't get that upset. My kids won't. They want to know the answer to their question now. As a company you have to provide an answer to that consumer.
In my own musical existence I don't feel that being a guitar player is like the best thing on earth to be. I would rather be a balanced musician. Playing in a group, I'm tending to think more about the music and less about the guitar. That's just me getting older. I'm not interested in being a virtuoso guitar player or anything like that.
I wanted 'The South Bank Show' to reflect my own life and that of the team around me; to stretch the accepted boundaries and challenge the accepted hierarchies of the arts; to include pop music as well as classical music, television drama as well as theatre drama, and high-definition performers in comedy.
There's this great Ron Carlson story, "A Note on the Type," and it's about this guy who keeps escaping from prison. He's really good at escaping, but he gets caught all the time, because he can't stop writing his name on underpasses where he's running from the law. And there's this whole beautiful paragraph about how to run is to write. And, you know, it's obviously about the writer's life.
I feel good in my own skin because I've accepted the fact that I'm me. That's what's so great about being alive and being on this planet: Everybody's different.
It's great to be able to find a way to release your music and do what you want to do artistically and not have to just worry about being accepted by the major label industry.
The only people who have doubts about the sincerity of my music are people who come to it relatively late, off the back of having seen me in a film. Acting is about being other people, and music is about being myself.
It's ironic that while I was a worker in Detroit, which I left when I was twenty six, my sense was that the thing that's going to stop me from being a poet is the fact that I'm doing this crummy work.
You know the bodysuit that I built my line on? . . .That was about me being able to go directly from work to yoga class. It just wasn't as accepted to talk about then.
No one's being precious about their music. They want the film to be great. And that was the huge lesson for me along the way to be a filmmaker. And yes, I'm leading the music department kind of thing and that responsibility with the music is with me, but really that job is one of many.
Being a track sprinter, when it's all about a thousandth of a second, there is no escaping the numbers every single day.
Bertrand Russell used a hypothetical teapot in orbit about Mars for the same didactic purpose. You have to be agnostic about the teapot, but that doesn't mean you treat the likelihood of its existence as being on all fours with its non-existence.
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