A Quote by Billy Crystal

Since I was a kid, every Thanksgiving growing up in New York, we always watched 'The March of the Wooden Soldiers' by Laurel and Hardy. Never miss it. — © Billy Crystal
Since I was a kid, every Thanksgiving growing up in New York, we always watched 'The March of the Wooden Soldiers' by Laurel and Hardy. Never miss it.
I was never that kid who grew up in New York and was always at the arthouse watching important films. I was the kid who grew up in the Midwest where there weren't any art films, and I watched TV. And that was really the medium that affected me and that I fell in love with.
In reality, I've always been an actor - since I was a kid. I did theater growing up in New York. I was always in the plays in school. I was either going to be an actor or an athlete or a soldier. Those were kind of the three paths that I always kind of embarked on.
Laurel and Hardy have this love relationship. Why? This little Englishman screwed Hardy up, physically, every day of his life! Why is he with him the next day? It's forgiving.
I have a complicated relationship with the horror genre. I love it; I loved it as a kid growing up, and I watched Chiller Theater in New York. So I loved it, but then you do feel if you do it too much, you're stuck there.
What's interesting about Laurel and Hardy is that in most comedy teams, there's a straight man, and then there's the funny guy. And with Laurel and Hardy, they're both the funny guy.
Growing up, I was always that kid that kinda watched All-Star Weekend on TV, every event.
Ever since I was a kid and growing up and watching things like the 'Naked Gun' movies, there was always this stereotype about how Arabs were perceived and portrayed. I've never watched those Arab villains in the movie and felt like that was me.
I never saw a Laurel & Hardy movie in a theater when they first ran, when I was a kid. But as a child, I knew who they were, and knew the culture of it, what they meant.
It is true that I got recognition. But however good the comedies are, nobody will accept a good comedy director as a good director. That is the sad part of it. Nobody knows who directed the 'Laurel and Hardy' movies. They know only Laurel and Hardy. Directors will never get a good name if they direct a comedy film.
I have been making hip-hop since I was a kid growing up in New York in the '80s and '90s. It's always been a hobby of mine - I've been making beats and writing songs for as long or longer than I've been acting.
I come from a family of storytellers. Growing up, my father would make up these stories about how he and my mother met and fell in love, and my mother would tell me these elaborately visual stories of growing up as a kid in New York, and I was always so enrapt.
I think you have to know these fellows definitely before you can draw them. When you start to caricature a person,you can't do it without knowing the person. Take Laurel and Hardy for example; everybody can see Laurel doing certain things because they know Laurel.
When I was a kid, I used to watch 'Laurel and Hardy' with my cousins all the time. I still think they're extremely funny and so surreal.
I went to school in New York and grew up in and out of New York. I love it, and I miss it, and every time I go back, I think, 'Why am I in Germany?' I do know that my career is really important to me, and in Germany, they've always been so much more supportive than my previous engagements in the dance world.
I think I felt like a regular kid. Growing up in New York, I never felt I was a big deal.
New York has changed a whole lot. For worse I think because back when I was growing up in New York we were always the trendsetters. I don't care if it was from clothes to hip-hop music, to whatever. Right now New York is a bunch of followers. A lot of them are. It's really not the same.
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