A Quote by Bindi Irwin

Sometimes I get butterflies before I get up on stage. — © Bindi Irwin
Sometimes I get butterflies before I get up on stage.
You always get nervous on stage because when you get up there, you want to do great. The crowd has you pumped up so there are always a little bit of butterflies. That's all part of it. But as far as getting stage fright, clamming up there, not generally, I just enjoy it on stage and have a great time.
I don't get butterflies. I get a good feeling in my stomach before I compete. When I don't, I get worried.
Even when you're right in the middle of a tour and you've done 30 or 40 shows, you still get them butterflies in the stomach right before you go on stage.
I get a lot of butterflies at auditions because I get so scared. It's scary because you've never met the people before. You have to meet them, and you have to hurry up and get to know them in five seconds. And then, you have to spill your emotions out to these strangers. It's funny.
When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
I used to get butterflies when I'd see big dudes. I don't get butterflies no more.
I get butterflies in my stomach before I perform. I love them! They let me know I'm ready to perform, that I'm ready to rock out on stage.
I used to get butterflies. Now we're always ready to hit the stage and rock out.
I've always felt kind of safe on stage, protected. I've talked to other performers about this and they feel the same things, particularly in the live arena. I never get nervous going on stage to do a play. Doing film or television I'll have more butterflies.
On the road, almost every day I'll do 100 squats, or sometimes I might do 50 squats and a bunch of leg lifts. I'll split them up right before I get in the shower and before I go to bed, or sometimes I'll do all 100 at once. Whatever I do, I try to get those in.
For the two hours I climb on stage, I become the schoolboy. But as soon as it is over, I get off stage and go home and get told to wipe my feet before I come in.
When some people get parts, they feel they can now relax, but for me it was always the opposite. Sometimes before I do a movie or before I act out a scene, I may not sleep well the night before. If I don't know what the scene is about, I might get all worked up.
I breakfast when I get up, lunch when I get the chance. If I never get it, I forget it. Sometimes I dine at seven, sometimes at midnight, sometimes not at all; and I never get to bed until four or five in the morning. Everything depends on the news; the hours make no difference to me.
Luckily, I'm not a stand-up comedian, so I don't get the fear of standing on stage in front of a dead audience: my humorous pieces have to make it past an editor before they get exposed to the public.
I get very nervous before I get on the stage, but once I'm on the stage, I'm just, you know, me. Nothing hurts me.
Listen to the stage manager and get on stage when they tell you to. No one has time for the rock star bullshit. None of the techs backstage care if you're David Bowie or the milkman. When you act like a jerk, they are completely unimpressed with the infantile display that you might think comes with your dubious status. They were there hours before you building the stage, and they will be there hours after you leave tearing it down. They should get your salary, and you should get theirs.
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