A Quote by Blair Underwood
My Soul to Keep is the ultimate love story with a black man and a black woman. I call it the ultimate love story. It's about an immortal. We're shooting for this Fall and that's been a six year development right there.
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As a strong and proud and intelligent Black man I have no problem expressing my respect for and adoration of the Black woman. Simply put, I love you. I love the Black woman.
I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
I wanted to make a black story about South Africa. Unfortunately, no producer in the United States would put one penny into a black story.
He pointed toward the silhouettes on the side of the [bathrooms] instead--black cutout man, black cutout woman. The man had his legs apart, the woman had hers together. Pretty much the story of the human race in sign language.
'Pretty Deadly' is the story of these immortal and mortal characters, and the mortals' story follows Sarah's family, a black family, through the ages. I never made the choice of, 'Oh, this is gonna be the story of an African American family!'
So how do you fall in love with life? The same way you fall in love with another person -- you adore everything about them! You fall in love with another person by seeing only love, hearing only love, speaking only love, and by feeling love with all your heart! And that is exactly how you use the ultimate power of love in love with life.
When you say 'the man of the house,' the black woman has been the woman and the man of the house, because black men have so often had to spend all of their time and energy working and trying, at least, to give their families the basic needs. So black women, I find, are not really concerned about women's liberation.
Mine is a story about a teenage single mother who struggled to keep her young family afloat. It's a story about a young woman who was given a precious opportunity to work her way up in the world. It's a story about resiliency, and sacrifice, and perseverance. And you're damn right it's a true story.
There is a problem in America. An Irish or Polish American can write a story and it's an American story. When a Black American writes a story, it's called a Black story. I take exception to that. Every artist has articulated to his own experience. The problem is that some people do not see Blacks as Americans.
No intelligent black man or black woman in his or her right black mind wants white boys and white girls coming to their homes to marry their black sons and daughters.
In the 1970s in black and Asian households up and down the country, there's a familiar story that when we saw a non-white person on TV we would call the rest of the family to the sitting room to have a look. The story that is less well known is what it was like to be that one black person on TV.
I try to keep deep love out of my stories because, once that particular subject comes up, it is almost impossible to talk about anything else. Readers don't want to hear about anything else. They go gaga about love. If a lover in a story wins his true love, that's the end of the tale, even if World War III is about to begin, and the sky is black with flying saucers.
The double jeopardy of being black and female in a racist and sexist society may well make one less afraid of the sanctions against success. A non-subservient black woman is by definition a transgressive- she is the ultimate outsider.
I used to joke for years that I was a black man. I adopted the black culture, the black race. I married a black woman, and I had black kids. I always considered myself a 'brother.'
It's so easy to call something a Jewish story or a gay story or a woman's story. Aesthetically, if a story is not universal, it has failed. Your obligation is to the story. One rule creatively, and emotionally, is its universality.
I love going to black churches, and I love some of these black preachers. The best preacher I ever saw in my life was a 93-year-old in a black church in Hamilton, Virginia. What a preacher!
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