A Quote by Blake Judd

Some people are really into being music-minded and knowing all their scales and how to read music and speak the language. — © Blake Judd
Some people are really into being music-minded and knowing all their scales and how to read music and speak the language.
Starting out really punk came from not knowing any better and listening to music like that, not knowing how to play music - well, still not knowing how to play music.
Music is music and I think music people are the delivers, the actors, when they put their music out they want to insert their character in it. So they call it such and such so you know how they live so to speak.
I met people that I couldn't talk to - they didn't speak Spanish or English - but they knew my songs. That's what I love, the music has gone past where I thought it would get to. That's the power of music, how it can travel and break language barriers.
I've learnt new scales through playing different types of music, like Indian raga scales, gipsy scales and harmonically-based jazz scales.
I couldn't live without music. I experienced things through music in different countries where you cannot speak the same language, but the music and the dance relates everything.
We love all kinds of music: We love pop music, we love rock music, we love R & B and country, and we just pull from all our influences. So I don't really take offense as long as people are coming out to the shows and buying the records and becoming fans of the music. At the end of the day, the music is what's gonna speak to you.
I think no matter how you think about your music, you're ultimately in the music 'business.' I think you have to be business-minded in some sense. And for me, the real goal... is positive intention and social change through music. It doesn't mean that can't turn a profit.
I never learned to read or write music. Never wanted to fool with scales. That was boring, forced. The music I heard was free - flowing.
I would find myself being inspired by things that I've heard as a kid: Nigerian music or African music, some French music or some Jamaican music. When it's time for music to be made, it's almost like my ancestors just come into me and then it's them.
The people wanted to believe that the Negroes couldn't learn to read music but had a natural talent for it. So we never played with no music. I'd get all the latest Broadway music from the publisher, and we'd learn the tunes and rehearse them until we had them all down pat- never made no mistakes. All the high-tone, big-time folks would say, isn't it wonderful how these untrained, primitive musicians can pick up all the latest songs instantly without being able to read music?
After I found out that I was playing music and that I'd have to learn how to read and write music, I started doing that about two years later. Finally, I said, "Oh, that means what I really want to do is to be a composer." But when I was coming up in Texas, there was segregation. There was no schools to go to. I taught myself how to read and how to start writing.
By diminishing the value of silence, publicity has also diminished that of language. The two are inseparable: knowing how to speak has always meant knowing how to keep silent, knowing that there are times when one should say nothing.
I can’t really trip about people not knowing, I guess in due time, all in God speed. But some amazing music I have is from artists that people really don’t know. It’s like, some things are really a gift, and if that’s not meant to be, hey I can live with that.
My music is the spiritual expression of what I am — my faith, my knowledge, my being...When you begin to see the possibilities of music, you desire to do something really good for people, to help humanity free itself from its hangups...I want to speak to their souls.
Music is one whole force. And I think the Proms have always represented very clearly that music is a universal language, one that everyone can speak. I've just followed my goosebumps in every direction and have found a recipe for what my music feels and sounds like.
I've been in situations like in Tokyo where people sang my song word for word and then when the music stopped, they couldn't speak to me. I've seen the music break the language barrier.
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