A Quote by Bob Newhart

Stammering is different than stuttering. Stutterers have trouble with the letters, while stammerers trip over entire parts of a sentence. We stammerers generally think of ourselves as very bright.
Stammering is different than stuttering. Stutterers have trouble with the letters, while stammerers trip over entire parts of a sentence. We stammerers generally think of ourselves as very bright. My own private theory is that stammerers have so many ideas swirling around their brains at once that they can't get them all out, though I haven't found any scientific evidence to back that up.
It's true that stammerers can become more adept at sentence construction.
Men of gravity are intellectual stammerers, whose thoughts move slowly.
I still have a stammer. I hate it; I loathe and despise it. But it's always there, and I have lots of ways to conceal it. I can conceal it now but I'm not good on the telephone. I get my husband to make dentist appointments. And I hate live radio. Hate it. I really try to avoid it at all costs. But it's always there. Stammerers become skilled at sentence construction and synonyms: we have to be. Faced with a problem word, we need to have instant access to eight others we could use instead - ones we could say without stumbling. I think my stammer is a huge part of my being a writer.
Young adults living with a stutter is hard work. How do they handle job interviews? What do they do when the phone rings? How do they chat someone up? All these things the average person takes for granted prove to be a stammerers biggest challenge.
I don't like talking unnecessarily, and my communication skills are zilch. I just can't converse with people. Maybe it's because of my stuttering or stammering, but I'm not confident of talking with people. I only talk to very close friends and family.
Our moment had passed somehow. I was different. He was, too. Without our “madness” to unite us, there wasn’t anything much there. Or maybe too much had happened in too short a time. It’s like when you take a trip with someone you don’t know very well. Sometimes you can get very close very quickly, but then after the trip is over, you realise all that was a false sort of closeness. An intimacy based on the trip more than the travellers, if that makes any sense.
I think '300 Arguments' is a real tiny wallop of a book. It looks very slim, and at first, each little two-sentence or one-sentence thing kind of stands on its own, but again, as you read it, you get sucked into the momentum of it, and the whole of it is much larger than the sum of its parts in a really beautiful way.
We break ourselves up into parts. To lie to ourselves, to hide things from ourselves. You are not you. You are not what you think you are. You are bigger than you think. More complicated than you think.
Most people write the same sentence over and over again. The same number of words-say, 8-10, or 10-12. The same sentence structure. Try to become stretchy-if you generally write 8 words, throw a 20 word sentence in there, and a few three-word shorties. If you're generally a 20 word writer, make sure you throw in some threes, fivers and sevens, just to keep the reader from going crosseyed.
I think stutterers are funny. And I know it's rude and politically incorrect to laugh at stutterers. But I think it is okay because I know why they're funny. They make people nervous. People think, when on earth are they going to get the word out, so they start laughing out of their own nervousness.
The publishers, as I remember at the very beginning of my career, wrote letters with their fountain pens. A letter is different from a phone call or fax. It's a different kind of intimacy. That pervaded the entire business of writing and publishing.
We get to experience the same thing in very different ways with different parts of ourselves.
Metta is the ability to embrace all parts of ourselves, as well as all parts of the world. Practicing metta illuminates our inner integrity because it relieves us of the need to deny different aspects of ourselves.
I take a ridiculous pleasure in what I eat and drink. It comes partly from being a bachelor, but mostly from a habit of taking a lot of trouble over details. It's very persnickety and old-maidish really, but then when I'm working I generally have to eat my meals alone and it makes them more interesting when one takes trouble.
Where there is much general deformity nature has often, perhaps generally, accorded some one bodily grace even in over-measure. So, no doubt, with the intellect and disposition, only it is frequently less apparent, and we give ourselves but little trouble to discover it.
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