A Quote by Bob Simon

If China were to explode, I'd want to be there in a flash. If there's a big story, I want to be there. — © Bob Simon
If China were to explode, I'd want to be there in a flash. If there's a big story, I want to be there.
I think we are paying a lot of attention to China one way or the other. They are a big factor in the world. They are successful; they are growing. They want to grow their influence, and all the countries in Asia want to be their friend and want to benefit from China's development and success.
When we first started our internet company, 'China Pages', in 1995, and we were just making home pages for a lot of Chinese companies. We went to the big owners, the big companies, and they didn't want to do it. We go to state-owned companies, and they didn't want to do it. Only the small and medium companies really want to do it.
I know what you want. You want a story that won't surprise you. That will confirm what you already know. That won't make you see higher or further or differently. You want a flat story. An immobile story. You want dry, yeastless factuality.
China is the big economic engine in Asia, so what happens is, as China growth expands, these countries in the periphery of China, whether it be Indonesia, Malaysia, Singapore, the Philippines, they end up growing with China because they become big exporters.
I don't want to go to a trade war, I want to beat China. I want to go to war with China and make America the most attractive place in the world to do business.
We want to assist China's soft power; we want to develop a vibrant young cinema in China. The average American has no understanding whatsoever of China. We'd like to create a young generation to tell their stories on a world stage. We can make history as well as make money.
I want longevity. I don't want to be a flash in the pan. I want to continue to do good work and projects that inspire me, and if I can have fun while doing it, that's the dream.
I'm going to continue doing what I want to do. And if it means I want to go and make a big movie, if it has something to say, I will want to make it. I don't want to spend my life wasting my time. If it's a big movie, I want to do it. If it's a small movie, I want to do it.
China is a rising adversary. So one of the things we have to do if we want China's support is to push back on China.
It's a funny thing because I don't want to wish away my privacy. Do I want 'Terminator Genisys' to explode? Absolutely. Do I want to take my career to the next level? Absolutely? You have to trade some things for that. It's all about how you conduct yourself and what you make of the experience.
From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story. I wanted to show something, I wanted for them to make their own story from what they were seeing.
I don't want to be a flash in the pan. I don't want people to just remember me for one thing.
I don't want The Flash to become a vigilante. I don't want him to abuse the power.
My parents were hippies, and the story is that they went through a dictionary looking for a beautiful word to name me. They nearly called me Banyan, but flipped a few pages on and reached "China," thankfully. The other reason they liked it is that "china" is Cockney rhyming slang for "mate." People say "my old china," meaning "my old mate," because "china plate" rhymes with "mate.
Writers want to be reread. They want to think that their words don't just flash by but deserve some reflection.
I want to be around when I'm 60; I don't want to be some flash in the pan.
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