A Quote by Bob Wooler
We didn't have a strong drug scene by any means. Originally, it was just purple hearts, amphetamines, speed or whatever you want to call it. When The Beatles went down south, they sometimes brought back cannabis and gradually the drug scene developed in Liverpool.
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Occasionally, as an actor, you're not... Sometimes, at least for me, I'm not fully in the groove until the second or third take, in which I would not want to just stop. If it's a scene that takes a lot of work and time, sometimes the scene gets better with time, and sometimes it gets exhausted. I think it just depends on the scene.
It is not enough to show that drug A is better than drug B on the average. One is invited to ask, 'For which people ("& why") is drug A better than drug B, and vice versa? If drug A cures 40% and drug B cures 60%, perhaps the right choice of drug for each person would result in 100% cures.'
Individual freedom and drug laws contradict each other. In a genuinely free society, people are free to ingest whatever they want to ingest, no matter how harmful or destructive. What people ingest is none of the government's business. If drug users or drug addicts wish to get help, a free society provides the means to do so.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
My editor and I remain very disciplined. It's just sometimes when you're making a film, you get into the cutting room and you see a scene that's slowing you down in a certain section, but if you remove that scene then, emotionally or story-wise, another scene a half-hour later won't have the same impact. You just get stuck with it.
I do not believe that marijuana is a gateway drug, and having been a mayor trying to keep my community safe, if there was any drug that was driving violence, more than marijuana, it was alcohol which is legal. And so I just don't think this is a gateway drug. And by the way, if you regulate it you're actually going to overcome a lot of problems with people having to go to the streets to buy their drug. You don't know how dangerous that is.
I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
True love, like any other strong and addicting drug, is boring — once the tale of encounter and discovery is told, kisses quickly grow stale and caresses tiresome… except, of course, to those who share the kisses, who give and take the caresses while every sound and color of the world seems to deepen and brighten around them. As with any other strong drug, true first love is really only interesting to those who have become its prisoners. And, as is true of any other strong and addicting drug, true first love is dangerous.
We want to continue the efforts against domestic violence and spread the drug courts, and develop real effective means of providing treatment for drug abusers without having to have them arrested.
Every scene in 'Ganga Jamuna' has been spellbinding for me. I can see the film any number of times and still not be able to pinpoint a scene and say 'This is the best scene!' Every scene is perfect.
If people take any notice of what we say, we say we've been through the drug scene, man, and there's nothing like being straight.
Straight edge came out of the hardcore scene. I don't necessarily believe, as some people believe, that you have to be a part of the hardcore scene to share that philosophy and stance against recreational drug use. But it is where it came from, and it is where it influenced me to be a part of it.
In general, I don't even have the luxury of rehearsal time on most films that I make. It is just a scene-by-scene full cast read through. It's very much just doing the rehearsal sometimes the day before, at the end of the day, but just on the spot as the scene unfolds.
Sometimes I'll say, "When Sandy Bullock and I were doing Speed - the movie, not the drug." Just in case someone's listening.
Actors will, in their mind, want to 'steal the scene,' and the problem is that means the scene didn't work in the first place.
You are not just, "This is the way I play it every night." You are constantly finding new ways in, new attacks, "I want to try it this way. Maybe this scene is affecting that scene. I want to attack this scene differently."
