A Quote by Bobby McFerrin

Then I came up with this crazy idea just to walk out on the stage with no band at all and just start singing whatever came to mind. I actually fought the idea for a while because it seemed almost too radical, but it became obvious what I was supposed to be doing.
I used to just scribble things on a piece of paper whenever an idea would - came to mind. Now with cell phones. It definitely has gotten a lot easier because I can just take it out and just - I'll just sing into my phone.
In all honesty, because my name is Cinco and I grew up in Phoenix, I had a lot of exposure to Latin culture and those sorts of things, and that inspired the idea of this villain, El Macho. The name came first and everything else came after that. We loved the idea of this villain. Ken actually has a lot of Latino roots in his family, too.
I think sometimes when people get older they start to limit themselves and think that if they wanted to start singing or they wanted to start playing guitar or if they wanted to, I don't know...become an archeologist - whatever it is, they think they just can't do it anymore because they've hit a certain age and I just think that's like putting yourself in jail. I realised a couple of years ago that the more that I did and made things and created things that I could love; it helped me to realise that I was actually loving myself and what came out of me.
Two radical ideas have been introduced into human thought. One of them is that energy and matter are pretty much the same sort of stuff. That's Einstein. The other is that revenge is a bad idea. Revenge is an enormously popular idea but, of course, Jesus came along with the radical idea of forgiveness. If you're insulted, you have to square accounts. So this invention by Jesus is as radical as Einstein's.
I mean Ireland, in all honesty I owe Ireland a lot because I think, and I'm not just saying this flippantly, Ireland is probably the reason that I do the job I do because when I started doing stand-up I came to Ireland and I just sort of gelled with the idea of doing it the way I do - telling stories.
I became an inventor by accident. I was out of the Air Force in 1956. No, no, that's not true: I went in in 1956, came out in 1959, was working at the University of Washington, and I came up with an idea, from reading a magazine article, for a new kind of a phonograph tone arm.
There came a time in my life where I just wanted to go out there and get myself a job somewhere. Boxing was all I had in my life for so long and there just came a point where the whole thing just became a bit too much for me.
I liked it. I liked her. And every time I saw her, she seemed more beautiful. She just seemed to glow. I'm not talking like a hundred-watt bulb; she just had this warmth to her. Maybe it came from climbing that tree. Maybe it came from singing to chickens. Maybe it came from whacking at two-by-fours and dreaming about perpetual motion. I don't know. All I know is that compared to her, Shelly and Miranda seemed so...ordinary.
For the most part I write very stream of consciousness. I basically need to be recording an entire writing session because it's almost like I black out and just start singing whatever is on my mind and forget it as soon as I stop.
I've always been scared of somebody telling me what to do with my music. What if a great acting opportunity came up, and they were like, "No. You have to go tour and open up for this band," that I'm just not that crazy about? I made a decision a long time ago that I'm doing it because I love it, because it's fun. If I break even, that's a good thing.
I have loved music so much from when I was little and I don't know whether it was because I saw my dad doing it and then I got the idea, I don't know what came first... But I always had a hairbrush in the mirror singing. I was always with him backstage; I would go out and be pulled in for the last song.
I have loved music so much from when I was little, and I don't know whether it was because I saw my dad doing it and then I got the idea; I don't know what came first... But I always had a hairbrush in the mirror singing. I was always with him backstage; I would go out and be pulled in for the last song.
My manager came up with the idea of taking a Pro Tool rig out on the road to record every night and I thought it was a great idea. I felt like it would be good to record over a certain period of time and then take the best performances of that collection of recordings. It appealed to me that it wasn't going to be from just one location.
The idea of doing theatre always terrified me because I get terrible stage fright. In the early 1970s I was offered a panto but the thought of going on stage was just too mortifying.
I came home one day from school after being chased by kids singing “Yellow Submarine”, and I didn't understand why. It just seemed surreal: why are they singing that song to me? I came home and I freaked out on my dad: 'Why didn't you tell me you were in The Beatles?' And he said, 'Oh, sorry. Probably should have told you that.'
Actually just recently I came up with that idea, watching the movie 'Legally Blonde' and I was like, 'Cool, that's something I want to do.'
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