A Quote by Bonnie Langford

The pushy showbiz kid thing was always the performance, not the person. I'm very solitary. I don't like socialising. — © Bonnie Langford
The pushy showbiz kid thing was always the performance, not the person. I'm very solitary. I don't like socialising.
I always loved that solitary experience of making things. There's a solitary aspect to animating... It's ultimately the animator and the puppet coaxing a performance out of it.
One of my friend calls me 'lost to showbiz', but that's only because I don't go for a drink as often as he'd like, because I'm always working. I've met very few famous people who are lost to showbiz - I have met some, mind.
One of my favourite parts of training is doing it with Dad in the local nets. When I do that, I feel like a kid again. We never argue. He has to put up with some bad moods from me when I'm not hitting it as I'd like. He's very placid. He's not a pushy parent at all.
My stand-up has always been very character-based. I'm not really the kind of person that's like, 'Hey, here's what's on my mind! Tip your waitress!' I would create the jokes based on the character I was playing. It was always a performance-based thing for me.
The idea of social performance, that we're always performing identities, is something I got fairly obsessed with. I think it's probably because I am a person who went to 15 different elementary and middle schools. I moved all the time, often having to run out in the middle of the night because my mom couldn't pay the bills. There were schools where I'd be the poor loser kid. There were schools where I'd suddenly be the smart kid or the cool kid, although that was very seldom.
I have changed a lot as a person coming into showbiz and meeting a cross section of people from all walks of life; it was an amazing experience. But that's the privilege I had of being early into showbiz.
That character in Solitary Man is probably most like me in real life: a solid person who has a good head on her shoulders and is very driven and practical, and not afraid to set boundaries. That's sort of my center. I come from the same place as the character in Solitary Man.
So what if your custom car shop tanks and you've gotta take a crappy job at an auto parts store, dealing with ignorant, pushy people. I'm okay with that, 'cause I'm an ignorant, pushy people person.
I read like a crazy person, I play the piano, and I'm a photographer. I always say my photography keeps me sane. I spend a lot of time in the darkroom. It's a very solitary, quiet life when I'm not working.
It is much more difficult to measure non-performance than performance. Performance stands out like a ton of diamonds. Non-performance can almost always be explained away
The thing I find really special in performance is that there is this slightly mystical thing that takes over when you're responding to a crowd and engaging in people's imaginations collectively in a room. I've always thought that one of the most incredible things about being alive is going to see some kind of performance like that.
I've always felt like a kid, and I still feel like a kid, and I've never had any problem tapping into my childhood, and my kid side. And I think that's a very universal thing, I don't think it's unique to me at all. People I've talked to in their 60s, 70s, 80s, and 90s have all told me "You know, I still feel 20." So I don't expect that I'm going to be any different.
I always find it kind of more interesting when people ask questions like, "What were you like as a kid?" Or just kind of personal history stuff, like, "What was the lowest point of your life?" Because that would be like, "Huh, well, I'd have to think about that one." And then give an honest answer. I think a lot of people don't want to give honest answers, or they just are in business showbiz mode when they're talking about stuff, so that's probably why a lot of that kind of thing doesn't get asked.
I am not a sentimental or superstitious person, so I don't have any pre-performance rituals. I am a very practical woman. After a performance I am always hopeful that I will lure someone home for a ritual of a more personal nature.
It's very easy to approach a character like that - a so-called strong woman who overcomes the odds - and give a one-note performance, playing that strength alone. Strength is only one thing a person has.
Acting can be very solitary, even if you're in a scene with someone else, because you worry about your own performance and if you look good.
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