A Quote by Bonnie Raitt

When you love a song so much you have to sing, you know how you feel - it releases something in you that resonates as true, whether it's James Brown or Joni Mitchell. — © Bonnie Raitt
When you love a song so much you have to sing, you know how you feel - it releases something in you that resonates as true, whether it's James Brown or Joni Mitchell.
I love James Taylor and Carole King, Joni Mitchell - this is, like, early '70s stuff. I love the stuff from the '40s. I love that tight harmony that the studio singers in the '50s would sing. I love Patsy Cline. Yeah, I'm all over the place.
Why would I want to sound like Joni Mitchell? I've got Joni Mitchell records, and they're great, and I couldn't possibly be that good.
I grew up listening to Joni Mitchell's version of "A Case of You." My mom was a huge Joni Mitchell fan.
The writers that I aspire to, like Joni Mitchell and Randy Newman, they'll tell you that the work gets harder, not easier. And they set that bar for us where we're always striving to do something better than the last time, whether it's the next song or just the next line.
At 13 I taught myself piano from an old song book, and Joni Mitchell's 'Both Sides Now' was the first song I learned.
When you sing a song of love, you're actually giving something to yourself, too. You're singing and casting these affirmations of love out into the universe. It resonates in your body in a way that feels extraordinary.
It's like there's the rest of the world, and then there's America. Part of the reason I would really love continue to making music over here because so much of American music has inspired me, whether it's Jeff Buckley, Joni Mitchell, Bob Dylan, Bruce Springsteen.
That's the music that I play at home all the time, Joni Mitchell. Court and Spark I love because I'd always hoped that she'd work with a band. But the main thing with Joni is that she's able to look at something that's happened to her, draw back and crystallize the whole situation, then write about it. She brings tears to my eyes, what more can I say? It's bloody eerie. I can relate so much to what she says. "Now old friends are acting strange/They shake their heads/They say I've changed."
Joni Mitchell's someone who has tried to make sense of her own world, sometimes painfully, through song.
I did a song, "Court and Spark," for a Joni Mitchell tribute album that's yet to see the light of day. So she's someone I'd like to do something with, sure. I worked with the great guitar player Bill Frisell on Phantom Moon - that was fun. I'm such a fan; he's amazing.
As a kid, I was listening to Aretha Franklin, Etta James and hip-hop as well as music my parents were listening to, like Joni Mitchell and Leonard Cohen.
When I first played New York, it was with James Brown at the Apollo, and I was playing in a band under the name The Valentinos. I remember Sam Cooke saying, 'I want you to go in there with James Brown. I couldn't be as hard on you as James Brown would be.' But we came out marching like soldiers.
Prince is from the school of James Brown, and I love James Brown because of all the great rhythms he plays.
James Brown opened at least six of our House of Blues clubs. He always delivered, but he demanded the respect of an emperor. But, come on, he's James Brown ! ... I got to play on stage with him. Did he ever fine me ? (Brown was known to fine players for flubbing notes or steps) - I would have loved to have been fined by James Brown !
You know, I grew up listening to Joni Mitchell.
Chelsea Morning is a great Joni Mitchell song and I guess I'm partial to her lyrics because they show me a slightly different perspective on life.
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