A Quote by Bonnie Raitt
I don't want to discredit people's opinions of me, but you talk about the violin or the cello or lead guitar where you have to learn tons of chords, that's much more difficult.
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I play guitar, bass, drums, piano, and pretty much any sort of stringed instrument - besides violin or cello.
A violin neck is much smaller than the guitar's, so it's much easier to play wide intervals on one violin string. On the guitar, you really have to stretch to play them.
I keep saying if I ever get a good amount of quiet time that I want to learn to play cello. It's a very warm instrument. The tone of the cello and the movement - I don't know what is; I love it so much.
In high school, I decided I wanted to learn guitar, so I picked it up and starting teaching myself some basic chords and started playing with friends. Guitar inherently lends itself to be guitar music, especially when you're not good at guitar.
I don't want somebody who writes like me [in my writing staff]. Because I can write like me. I know what I'm capable of and what my limitations are. If you're going to build an orchestra, you don't want all tubas - you want a violin and you want a cello and you want a drum set.
About ten years ago, I knew three chords on the guitar. Now, in 1982, I know three chords on the guitar.
I try to talk as less as possible and maximise the music part. I have tons of songs on my set list and I want to sing all of them, or as much as possible. If I talk more it'll eat into the time allotted for me.
What interested me about Chuck Berry was the way he could step out of the rhythm part with such ease, throwing in a nice, simple riff, and then drop straight into the feel of it again. We used to play a lot more rhythm stuff. We'd do away with the differences between lead and rhythm guitar. You can't go into a shop and ask for a "lead guitar". You're a guitar player, and you play a guitar.
I guess I'm interested in pushing the boundaries of the cello without giving up on the idea of playing the cello, if that makes any sense. I have no real interest in putting the cello through different effects to make it sound like a guitar or other instruments.
For me, every book is a journey - questioning a really difficult topic that most people don't want to talk about, much less write about. And that's what I need; that works for me as a writer.
I've done nothing but show up and fight, go to work inside the Octagon, outside the Octagon, and do things right. But people want to talk about me and discredit me.
The cello is a hero because of its register - its tenor voice. It is a masculine instrument, whereas the violin is feminine because of its soprano pitch. When the cello enters in the Dvorak Concerto, it is like a great orator.
I think I always thought of the guitar as the vehicle to be able to make some musical idea up. The only appeal to learning more chords was having more chords to put into songs. I never got too wrapped up in becoming technically good. So writing songs happened pretty simultaneously with learning how to play the guitar.
Most beginners want to learn lead because they think it's cool .. consequently, they never really develop good rhythm skills .. since most of a rock guitarists time is spent playing rhythm, it's important to learn to do it well .. learning lead should come after you can play solid backup and have the sound of the chords in your head
Well my dad forced me into playing the violin when I was about three and it all started from there. I went to Suzuki for violin lessons, and you learn to play by ear instead of reading music.
A cello can sound like so many instruments, but it's only one, you know, like a guitar; it has percussive qualities. It can sing like the violin, you know, like a voice.
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