A Quote by Booger McFarland
What makes a three-man booth challenging is everybody's gotta give up a little something. Right? Because normally you'd have one guy being the analyst, and he's got the ability to go at his own pace and do everything and break down everything, but when you've got two people, somebody's gotta give up a little something.
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You gotta try something people ain't seen before, and you gotta go to the gym and work on your dunks. In a slam dunk competition, don't show up with three dunks. You got to have eight or nine dunks because if you get into the finals and two guys may do the same dunk or one guy does the dunk better than the other.
The fascinating thing about standard economic stories is exactly that: they assume that everybody wants that kind of closure. That all human relations are forms of exchange, because if everything is an exchange then it's true that we're both equals. We walk up, I give you something, you give me something, and we walk away. Or I give you something, you don't give me something right now, and you owe me. So if we have any ongoing relationships at all, it's because somebody is in debt.
When you're making records, you develop, and so you hear the things you want to move away from. It stings a little, but you know, you gotta own it too. You've got to just go, "You know, I wasn't afraid to learn in front of people, so I give myself a little credit for not being afraid of anything."
This is a world where everybody’s gotta do something. Ya know, somebody laid down this rule that everybody’s gotta do something, they gotta be something. You know, a dentist, a glider pilot, a narc, a janitor, a preacher, all that . . . Sometimes I just get tired of thinking of all the things that I don’t wanna do. All the things that I don’t wanna be. Places I don’t wanna go, like India, like getting my teeth cleaned. Save the whale, all that, I don’t understand that . . .
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
You gotta pick yourself up. Sometimes you just gotta do it over and over, but you gotta do it. You can't give up. I wouldn't give up. I didn't give up - or doubt myself - in becoming a successful musician with a successful band.
If I'm playing country, I gotta have my country hat and my cowboy boots. I gotta have a voice, and the third thing, I gotta have I guess a little music to keep me in the right mind, a little pre-show something to get ya going. Lots of AC/DC, or I'll sit on youtube and find all kinds of stuff before we take the stage to get pumped up.
Nobody breaks in a fight and comes back in the same fight. Once you break, you're done for the night. You've gotta go back. You've gotta shower up. You've gotta fly home. You've got to reassess, take three or four months, and try it again. But that Anderson Silva breaks in that fight, and still finds a way to win, is remarkable.
I get bored real easy. I'm so used to L.A. and the pace that when I go home now I start thinking, 'Something's not right, something's not feelin' right.' I just gotta do what I gotta do in Oklahoma and get back to the fast-paced city.
I gotta go through, like, a little routine when I wake up in the morning to get everything functioning and ready to go. But, the only thing is everything just goes back to gridlock so fast once I sit down, 'cause you know you go to work again.
You can't give up on me. If you give up, then I'm going to break into a million pieces. I'm here. I'll give you everything I've got.
I guess something that you love to do, you gotta ease up off it and give it a little space, come back and be fresh to it.
One thing about being a stand-up is it's a one-man show. You gotta do everything. You're the producer, writer, director, and the actor. You just gotta be out there and perform and give your all. It's such an honest form of art that it just taught me so much, and it kind of prepared me for manhood at an early age.
In a great horror movie, you've gotta have some character development and you've gotta set some of your people up and you've gotta have a little back story going. You've gotta take that time for exposition.
She'd always believed that people come in two varieties: those who look out the windshield and those who stare in the rearview mirror. She'd always been the windshield type: gotta focus on the future, not the past, because that's the only part that's still up for grabs. Mom throws me out? Gotta get some food and find a place to live. Husband dies? Gotta keep working, or I'll end up going crazy. Got some guy stalking me? Gotta figure out a way to stop it.
Giving something back is a huge deal. You'll notice every successful athlete uses that at some point in his career during an interview. "I'm gonna give something back. Gotta give something back to the community." "Yaaaay! Right on!" People just fall for it. It's a necessary inclusion.
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