A Quote by Brad Paisley

The late-sixties Teles are the best value you can get for a vintage guitar. — © Brad Paisley
The late-sixties Teles are the best value you can get for a vintage guitar.
My wife bought me a vintage Gibson guitar that isn't just beautiful but has tremendous sentimental value. I have plenty of guitars for live gigs but this is one to treasure.
I love vintage and I shop vintage a lot because it's just such great value for money.
My guitar is like my best friend. My guitar can get me through anything. If I can sit down and write an amazing song with my guitar about what's going on in life, then that's the greatest therapy for me.
I'm on this eternal quest to get the best guitar sound in the world, but my vision of what is 'the best' changes every time I go into the studio. Sometimes my goal is to make my guitar jump out, and sometimes I want it to lay back.
So, really, I just try to be the best guitar player I can be - not the best female guitar player, not the best 'X amount of years' guitar player, or whatever - just the best guitar player.
It was interesting; it's an interesting photographic problem [those demonstrations in the late Sixties]. But if I was doing it as a job, I think I'd have to get paid extra.
My first synthesizer was the VCS3. I got it in Bristol in the late Sixties, long before Pink Floyd used them. I had to sell an acoustic guitar and an old reel-to-reel tape recorder to raise the money. You can do fantastic things with modern computers, but you cannot use them in the same intuitive, spontaneous way you can a VCS3.
The Majesty guitar symbolizes the very reason why I am so proud to be a Music Man artist. I had the idea for this guitar a couple of years ago but it is because of their innovative spirit and dedication to the art of guitar building that it is now a reality. I am so grateful that I am able to collaborate with the best guitar company on the planet and so incredibly proud that together we have created what is to me, the perfect musical instrument for guitar players. I really hope you get a chance to play one and am confident that you will feel the same!
We wanted to more richly experience why we were alive, not just make a better life, and so people went in search of things. The great thing that came from those that time was to realize that there was definitely more to life than the materialism of the late sixties and early sixties. We were going in search of something deeper.
Misogyny comes naturally to a young man in his late teens; it is a function of the powerful homosocial impulses that flower along Fraternity Row, that drove the mod movements of the middle sixties and late seventies, that lie at the heart of every rock band formed by men of that age.
I think if you really put your mind to something you can do it. Five and a half years ago I couldn't stand on stage and play guitar. I didn't have enough talent as a kid to play guitar. I started really late. I hired a guitar teacher when I was in Nashville and I applied myself and stayed focused.
I kind of feel stuck in the late-Sixties and early-Seventies.
That attitude toward women as objects may have worked for the late Sixties, but it doesn't do so now.
I'm not the kind of guy who deserves to play a vintage guitar because I'm too rough on instruments.
I remember driving to North Carolina when I was a little girl in a snowstorm to get down to my mom's family in the Carolinas. There were chains on the car - it was the late sixties - and we were just singing in the car. Christmas carols.
When you're recording live, really good vintage instruments onto two-inch tape, it's the best fidelity you can get.
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