When Van Halen started out, there was no path to fame. We just played what we liked. Even today it always comes down to the simplicity of rock and roll.
Van Halen was a huge influence on me, and 'Eruption' was the song that really leaped off that first Van Halen album.
I do remember being a kid and hearing Van Halen. My dad was always playing Van Halen in the car.
At some point I decided I didn't want to learn any more guitar technique. I was at that level where the next mountain there was to climb was Van Halen and I didn't really like Van Halen.
You can never deny the immense talent, rock credibility and iconic historical contribution that Van Halen made.
That song ["Don't Tell Me"] didn't take us anywhere, and I know why now. It wasn't what Van Halen fans wanted. It showed the darkness of Van Halen, and basically the end of the band.
I've never really heard anybody imitating anything of mine the way they do with Edward Van Halen's stuff.
Classic Van Halen made people want to dance and f**k. Modern Van Halen makes you want to drink milk and drive foreign cars.
I had a solo career before Van Halen. My fan base filtered through Van Halen with me and came right on out the other side with me.
My heroes were Eddie Van Halen - especially after Van Halen I, II, III, and IV - Randy Rhoads, Ace Frehley and dudes like that. My brother played drums and we jammed in the garage and started writing our own stuff.
I liked a lot of the things other people liked - Jimi Hendrix, The Beatles, Van Halen, AC/DC - but if I compared it to my dad's music, there just seemed to be elements missing.
Just about every rock band and every guitar player from 1964 to 1984. To me, that's the golden period of rock. From the first Beatles album hitting America to the last Van Halen album with David Lee Roth. That's where all my favorite rock exists.
To me, the secret of Eddie Van Halen was Alex Van Halen, because the way Alex played was so loose and the way the two of them locked together... Those two are connected so thoroughly they might as well be one person.
I look at Van Halen as social workers. What we're really doing is creating jobs for rock critics.
I got into rock music at thirteen, listening to Van Halen, learned how to play the electric guitar.
I was a huge 'Pyromania' fan. You would never expect it, but I was in love with Iron Maiden; I was such a huge fan. I went to a lot of rock stuff like Van Halen, too.