A Quote by Brad Willis

Grateful that it brought me to a point of really seeing myself and really seeing where I was imbalanced, and really seeing it was a message from the Divine that changed my life.
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
Seeing someone you know be good at something is really appealing. Seeing how Darren Aronofsky behaved on set, it was another aspect of him, the director. He'd never directed me at home in the kitchen before. It was just seeing a whole other aspect of someone. It was really, really exciting. I loved it.
I was really inspired by seeing self published zines and mini-comics: seeing someone else make work that was either really personal, or was just done entirely themselves. It really showed me what was possible for my own art, and I hope that my books will inspire readers in the same way.
My travels through physics really are the same urges that make me travel through ecology. They are not really different, except that there is an added dimension of seeing ecological destruction and seeing the very life-support system that makes us survive on this planet being destroyed. That makes me do more than just inquire; it compels me to act and to intervene.
What keeps me motivated is going out to the field and seeing programs that incorporate a focus on both people and the planet, and seeing how mutually reinforcing they can really be.
I might be more satisfied seeing my friends really come up than myself. I'm really happy for my success, but I can't really see it, because I'm myself working. You can see it; everyone around me can see it.
I really do like seeing Bobby Lashley get the torch and exactly seeing what he can do with it.
You can look at things all your life and not see them really. This ‘seeing’ is, in a way, a ‘not seeing,’ if you follow me. It is more of a search for something, in which, being blindfolded, you develop the tactile, the olfactory, the auditory senses —and thus see for the first time.
It's really interesting making films and actually seeing the life that they have in the subsequent years and seeing which ones stand up over time and which ones sort of fade away.
We open our eyes and we think we're seeing the whole world out there. But what has become clear—and really just in the last few centuries—is that when you look at the electro-magnetic spectrum we are seeing less than 1/10 Billionth of the information that's riding on there. So we call that visible light. But everything else passing through our bodies is completely invisible to us. Even though we accept the reality that's presented to us, we're really only seeing a little window of what's happening.
Pantheism, seeing the natural world as divine, is a very different thing than seeing divine God present in all things
I start listening to something, or I'm seeing somebody a lot or seeing their art. And then I just really want to make a picture of them.
I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.
I'm really about seeing people and art for what they are. Like, seeing people as humans and seeing art.
For me, the exhausting thing about touring is the sitting around, which is why working on my concert music is really great - and also seeing concerts and seeing friends and, whenever possible, getting out to see a museum.
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