A Quote by Bradley Whitford

When you act, you're always playing a version of yourself. You can't bring more to the role than what you are — © Bradley Whitford
When you act, you're always playing a version of yourself. You can't bring more to the role than what you are
When you act, you're always playing a version of yourself. You can't bring more to the role than what you are.
I do love playing aristocrats, probably because it's so against type. So much more interesting than playing a version of yourself.
My hair is wild and free, but I've always been told that [straight hair] is more polished, and a more polished version of yourself is a better version of yourself. That it's more professional.
Acting was definitely half of what I loved about storytelling and about theater. So, when I get a chance to do a cameo in a show or do a movie, it's a lot of fun and it's always great stepping outside of yourself and either playing a bizarro version of yourself or playing a character.
I think we're all actors. There's this friend of mine who's a great drummer, and he said, "I never thought I'd be a drummer, but I got really good at it. I always feel like I'm an actor playing the drums." His real calling was that he was going to be a magician. That's what he felt like he wanted to do. If you decide to act like a journalist, you'll probably be a better journalist than just being a journalist. What you're doing is, you're taking the executive role and stepping outside yourself so that you're able to make more objective decisions.
Going on stage is a performance, it's an act; you're playing a version of yourself. I don't give it a lot of thought. I clock on, I tell jokes, I clock off again.
To be in love is to see yourself as someone else sees you, it is to be in love with the falsified and exalted image of yourself. In love we are incapable of honor - the courageous act is no more than playing a part to an audience of two.
It's exciting to have a role in anything that's Claymation, just because you're always intrigued by what a clay wizard version of yourself would be.
If it's not coming from your heart and if you don't believe it, then more than likely you're not going to be able to bring yourself to performances that justify playing.
I'm more interested in the idea of role-playing in general than the idea of role-playing in art. I like the childlike quality of making pretend or the optimistic idea of pretending something's happening when it's not.
If you want to do your version, go off and write it. You bring your knowledge to it, and you can use that to shape it and color it, but it's someone else's version of that character. You're not actually playing the real person.
What I do when I act and direct is I do a small version, go a little bigger, do a medium one, an over-the-top one, and then even bigger than that. I'll do six readings of the line. And they're not all the same. Just so I know if I was wrong about what I should have done, I luckily have this more subtle version.
Role-playing games are contests in which the players usually cooperate as a group to achieve a common goal rather than compete to eliminate one another from play.... Role games ... bring players together in a mutual effort.
I've always been way more attracted to playing imposing characters than the hero. I've always been more intrigued by Iago in Shakespeare than playing Romeo. That was always boring to me.
Do not let yourself get in your own way. Don't judge yourself and knock yourself down. There is enough of that out there already. Remember: you are an artist, and you bring something special to this craft. Take in notes and criticism, but don't let them define you. Don't try to become a watered down version of yourself.
If you allow failure to take on more of a role in your life than possible, then you'll always look at it on the defense and you'll always shoot yourself down before it even goes anywhere.
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