A Quote by Brene Brown
To me, constructive criticism is when people take ownership of their ideas. That's why I don't listen to anything that's anonymous. But it's hard; when there's something hurtful out there, I still want to read it over and over and memorize it and explain my point of view to the person.
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You can learn a lot from criticism if you can take what's constructive out of it. If you read a review that starts with, 'This person is an idiot; who do they think they are?', you're not going to learn anything from that.
My wife told me, "Listen, you have to do something big, beautiful story." I remember that I read The Shack script and I told her that there is a big message over here, and as a Jew, I read the script, and I didn't see anything that connects to religion. It's not about religion, it's about faith, it's about God, and I connected with it, because from my point of view, there is God in this world.
After games, my wife gives me a lot of advice and criticism. Sometimes, I am upset. I say, 'Why do you advise me this?' But I like it, because to listen to a different point of view is always important. You can find a different position or point of view that can help you to be more creative.
Successful entrepreneurs figure out when to drive their ideas forward and when to listen to constructive criticism.
Franz Kafka is an idea person. His books begin and end in ideas. Ideas have always been important to me in my writing. To the point that I have to be careful that they don't take over.
My mom used to tell me stories at night, read books to me - and I read 'em over and over and over again. And you know what I learned from that? I went back and looked at everything - Why do I like reading the same stories over and over and over again? What, was I some kind of nincompoop? No - the narrative gave me connection with my mom.
If we stay together, I'll have to forgive you over and over again, and if you're still in this, you'll have to forgive me over and over again too. So forgiveness isn't the point. What I really should have been trying to figure out is whether we were still good for each other or not
All I'm doing, all I have done for 40 years, is spend time with the best scientific experts, gain their confidence, and take advantage of their patience in explaining things to me over and over again in progressively simpler language that I can understand, so that I can read it back to them and get their sign off, where they say, "Yep, that's it, Al. You've got it." When I understand it, I know I can explain it to other people. When the scientists' predictions end up being true, I see that as an opportunity to say to people, "Listen carefully to what they're saying now."
There are records I'll listen to one time and zero in on what's happening, and then I'll listen again to something I didn't notice the first time. The art of making records is something like this: you want to provide a multiplicity of experience in a single object, which is to say you want layers so that people can revisit and have something revealed to them that wasn't apparent the first time. We often will listen to the same music over and over again, and that tells you something, too.
Students may feel the criticism is harsh, but I think it's possible they haven't had criticism before. It's my job to point out when something is badly done, or when there's no point of view. To build a brand you have to have something about you. If not personality, then some thought process. I'm 40, and they're young, so they're meant to be informing me. They should be bringing me a book or something that I haven't seen, not like some obscure chant book by Dominican monks, but an image of the way they see the world.
Adrian shook his head, still smiling. "I've said over and over, I'd do anything for you. I just keep hoping it'll be something like, 'Adrian, let's go hot tubbing' or 'Adrian, take me out for fondue.'" "Well, sometimes we have to--did you say fondue?" Sometimes it was impossible to follow Adrian's train of thought. "Why in the world would I ever say that?" He shrugged. "I like fondue.
Like in comedy, you know the names of the people who steal things that others work really hard on. It really sucks. And, in magic, it's not just the hard work of getting the words and attitude and point of view right; you're taking an actual invention, making something over three or four years, and somebody can just take it.
You have to take your ego out of it and say, do I want people to be obsequious to me or do I want to write good books? If it's the latter, you have to take criticism. It's annoying, but that's how to do good stuff; listen to other people.
One of the disadvantages of poetry over popular music is that if you write a pop song, it naturally gets into people's heads as they listen in the car. You don't have to memorize a Paul Simon song; it's just in your head, and you can sing along. With a poem, you have to will yourself to memorize it.
I'm very much a creative person, but you've got to do the follow-through. A lot of people start out with an exciting thing and they want to take over the world, but really the people who do take over the world have a good plan of how to get there and the steps along the way.
To read is to fly: it is to soar to a point of vantage which gives a view over wide terrains of history, human variety, ideas, shared experience and the fruits of many inquiries.
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