A Quote by Brendan Rodgers
Everything we did on the training pitch, we did with the ball. You'll never see a pianist run around his piano. People ask me, 'Why don't you run through the forest, through the trees?' Well, I've never seen a tree on a football field.
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Just play football. If you are a writer, you must write. It's the best way to practise. If I'm a pianist, I don't need to run in the forest for one hour or two hours to be a good pianist. I must play piano. So this is what we are doing all the time. Play football. Simple ideas.
Never did tombs look so ghastly white. Never did cypress, or yew, or juniper so seem the embodiment of funeral gloom. Never did tree or grass wave or rustle so ominously. Never did bough creak so mysteriously, and never did the far-away howling of dogs send such a woeful presage through the night.
I wish everybody had the drive he (Joe DiMaggio) had. He never did anything wrong on the field. I'd never seen him dive for a ball, everything was a chest-high catch, and he never walked off the field.
I push against the tree and run away, stumbling, the unreal night playing with me, gravity pulling from below, behind, above, making me fall. And I run through a world that is rotating, conscious of the earth's spin, of our planet twirling as it careens through nothingness, of the stars spiraling above, of the uncertainty of everything, even ground, even sky. Mumtaz never calls out, although a thousand and one voices scream in my mind, sing, whisper, taunt me with madness.
When I went to Catholic high school in Philadelphia, we just had one coach for football and basketball. He took all of us who turned out and had us run through a forest. The ones who ran into the trees were on the football team.
I thought running around trees is a gardener's job and not an actor's. However, if the script demands that I run around trees, well, you never know.
I think people understand me, me as a person and what I went through because I kept it on the plate. I never hid nothing. I was never in the closet. I smoked dope, I gang banged, I did this, I did that; whatever I did it was always out.
Banging on the piano while my grandmother was watching me. I'd run up to her and ask: 'How was that, Grandma?' And she'd say, 'That was beautiful, baby!' And I'd run back to the piano and play some more. I'm sure that's why I still play today, because I was encouraged from such a young age, 2 or 3.
My mom always told me: Never make fun of anybody, because you never know what that person is going through. Ever since I was a kid, I never did. I never did.
Even still, we run. We have not reached our average of 57.92 years without knowing that you run through it, and it hurts and you run through it some more, and if it hurts worse, you run through it even more, and when you finish, you will have broken through. In the end, when you are done, and stretching, and your heartbeat slows, and your sweat dries, if you've run through the hard part, you will remember no pain.
My earlier film 'Punda' did not give people a glimpse of what I could do as my role was that of a typical glamour doll that required me to run around trees.
I think it happens to a lot of people who make music just on a computer by themselves, you don't see the bigger picture. You don't see the forest for the trees. You're looking at every tree so closely, and every tree looks so cool. But you're making a forest, man, you're not making a tree.
I wanted to know why people follow rules blindly, or why girls had to act a certain way and boys didn't. Why could boys ask girls out and girls not ask guys out? Why did girls have to shave their legs and guys didn't? Why did society, like, set everything up the way they did? My whole adolescence was full of unanswered whys. Because they never got answered, I just kept lighting fires everywhere - metaphorically speaking.
Everything I did to get back, if it wasnt for my team, it was for my city. Thats one thing that I bought into from Day One. Im not just here in this city to play football, Im here to actually create real change in this city. If my effort can give you hope, faith or love, then so be it. Ill give everything I have, and today was about me giving everything that I had, showing people that no matter the circumstances that you may be going through, just push through it. If you can push through it, you will encourage somebody. Today, hopefully through what I did today, somebody was uplifted.
When I first knew Bob Dylan, he lived in the Village. And for a man who, years after, would disdain publicity or any attempts at interviews, whenever I'd write something about him, he'd be on the street corner saying, `When's it going to run? When's it going to run?' But I must say that album that was - it was the second album he did, and though I've never been a fan of his guitar-playing, he did - I have to admit, he did catch the Zeitgeist of the time.
If you go into a forest of film stories, you never can get right through the forest straight ahead; you always have to make some U-turns or whatever, because there's some trees in the way. And that's what I'm doing. Sometimes, as an actor, if you make only these intellectual, wonderful films, which I love, from time to time you have to make a film like Armageddon so people see that you're still around.
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