A Quote by Brendon Urie
I'm shedding off the old me and I'm reborn as the new me - it's great!
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An imitation of a Frenchman would not make me a Frenchman. I am a German and I would have to be "reborn" to be anything but what I am. And so in the Christian life. I must be born anew. That is why Christ took me with Himself down into the grave and brought me forth a "new creation." He terminated my old life when there upon the Cross as Representative He died; and He imparted to me a new life when He arose from the grave.
It is never late to ask yourself “Am I ready to change my life, am I ready to change myself?”. However old we are, whatever we went through, it is always possible to reborn. If each day is a copy of the last one, what a pity! Every breath is a chance to reborn. But to reborn into a new life, you have to die before dying.
I have great players around me. I have a great coach talking to me all the time, constantly teaching me. I feel reborn, like I'm learning every day. When I show up, I'm happy.
I have been moving around all my life. Going to different schools, living in different houses, shedding old roles, assuming new ones. This way of life is as natural to me as staying in one place is for other people. I do variations on the theme. I return to places where I used to be. I find my old personas. I try them on. If they still fit, I wear them out to a party or a show. If they begin to restrict my movements, I take them off. I am a human being, capable of mimicking anything I see or remember or can imagine.
Then I noticed that my shadow was crying too, shedding clear, sharp shadow tears. Have you ever seen the shadows of tears, Mr. Wind-Up Bird? They’re nothing like ordinary shadows. Nothing at all. They come here from some other, distant world, especially for our hearts. Or maybe not. It struck me then that the tears my shadow was shedding might be the real thing, and the tears that I was shedding were just shadows. You don’t get it, I’m sure, Mr. Wind-Up Bird. When a naked seventeen-year-old girl is shedding tears in the moonlight, anything can happen. It’s true.
Old words are reborn with new faces.
Guys have made livings off me. Nick Anderson got a new contract. Travis Knight got a new contract off me. As a matter of fact, Derek Fisher called me yesterday to thank me. If you double me, I'm kicking out to Eddie, who's the best shooter in the East. Or I'm going to give it to Dwyane, or put it on the ground and come bang on you.
I want to go on living even after my death! And therefore I am grateful to God for this gift, this possibility of developing myself and of writing, of expressing all that is in me. I can shake off everything if I write; my sorrows disappear; my courage is reborn. But, and that is the great question, will I ever be able to write anything great, will I ever become a journalist or a writer?
I believe we are most beautiful when we are constantly shedding our old selves and moving into new light.
...We die, we turn, we are reborn as we deserve to be reborn, based on our doings in this world." Will looked down at his bitten nails. "I will probably be reborn as a slug that someone salts.
In football, I'm not so old. At 52, maybe I have 20 years in front of me to coach. But I feel myself as... you might say an 'old fox.' Nothing scares me; nothing worries me too much. It looks like nothing new can happen for me.
As a youngster in the little orphanage home in New Orleans, I was the bugler of the institution. When I got to be around 13 or 14 years old, they took me off the bugle and put me in the little brass band.
When people come to see me, they'll see what they know me for. Hits from the past, but I always mix in a little something new. New stuff. Old stuff. It creates a great show. There's a lot of crowd participation. A lot of interaction and energy. That's what I do best.
Nothing old is ever reborn, but neither does it totally disappear. And that which has once been [born], will always reappear in a new form.
There's always a great hue and cry when you sign onto a "remake," and that's always been sort of annoying me and freaking me out. This profession that we're in is drama. What drama has been since the beginning is, you restage plays with new casts, or a writer will take a new run at an old story.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.
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