On the first album, we were trying to do a pop-punk album with a classical influence. We'd say 'pop-punk,' and people would say, 'No, you're like burlesque-cabaret-punk,' or, 'It's baroque-pop,' and we were like, 'That sounds way cooler.'
I grew up going to punk shows, that kind of thing - I don't wanna make pop punk! - but I like the idea of people going totally crazy and it being really intimate, loud and super-aggressive, but combining that with pop music.
DEVO was like the punk band that non Punk America saw as Punk and so when people who were really into Punk rock would be walking around on the streets the jocks who learned about Punk through Devo would roll down their windows and yell at the Punks: 'HEY, DEVO!!'
I used to have this little punk pop band, and I don't know why we did 'Behind Blue Eyes,' because it's not punk pop. But we did, it was our slow jam.
I did a pop album, 'Sogno,' in 1999. I think it's important to record another pop album because many people love pop music. By this kind of repertoire, some people can later discover classical music.
I just love music. Every genre of music: country, rock. I originally first loved punk rock. Pop punk. I don't know, just rock in general. And getting to rap. And now K-pop. Different types of music. I love everything.
I still think punk's around. It's been pushed into the mainstream and it gets harder to draw that line between what's pop and what's punk.
The period right before punk rock where people like Lou Reed and Iggy Pop were really strong.
I do fear for the generations of people who came of age thinking that pop-punk is what punk is, and that all the rebellion you need is just to stick your tongue out in the mirror every once in a while.
I was a punk when I was 15 - I was definitely into it in a big way and loved it - but I came to London when punk was maybe where you'd say punk is dead.
I'm not an '80s fan. I'm more '70s New York pre-punk kind of thing, and I guess I grew up with '90s grunge, post-punk pop music.
I'm not an '80s fan. I'm more '70s New York pre-punk kind of thing and I guess I grew up with '90s grunge, post-punk pop music.
If post-punk enterprise suggested that pop music could establish a fierce skittishness, an aggressive self-irony, that would enable it to transcend its manufactured state, video narcissism announces that pop has found an easy way to steal more cash from young people and damage their natural desires.
I think one thing you could probably say for all my albums is that they're all pretty eclectic pop. There's always a little bit of urban influence, some dance, a little bit of country, singer-songwriter, pop-rock. I like everything! On every album you can find that.
There is a community in hip-hop. It doesn't seem like that anywhere else, except maybe in punk rock. But punk rock is tricky, because it has become such a pop thing. But in rap, there is still a feeling of community. Who are our peers? Rappers.
We grew up with all the Fat Wreck Records and all the Epitaph bands, that era. We mixed it up together. We were never purists of being just pop or just pop-punk. We always wanted to blend everything that we love.
We're more of a rock band and we have a punk influence and a pop influence.