A Quote by Bret Michaels

Poison is one of the first, if not the first, truly independent bands to sell 3 million copies of our first record. It was before we were with a big company. — © Bret Michaels
Poison is one of the first, if not the first, truly independent bands to sell 3 million copies of our first record. It was before we were with a big company.
Our first album sold a million copies. Because we had such a big hit on the first album, it's always like, 'You can't top the first album.'
It's a blessing and a curse when your first big public album does so well. 'Twentysomething' sold four million copies - I think we were hoping to sell 80,000. And it's still selling. In some ways, you'll always be defined by that.
In 1980, I moved to Chicago, and I recorded demo tapes for my friends' bands, and in 1981, the first Big Black record - the first thing I did that was an actual record.
I consider us to be one of the first Internet-based bands, especially because we basically started our entire band via the Internet. Before MySpace Music even existed, we had a band MySpace page. We were one of the first fifty bands on PureVolume(.com), and we really built everything from the Internet. That's how we started talking to record labels, that's how we booked our first tours. Without the Internet social networking, like Twitter, we definitely wouldn't be where we are today. It is a huge part of the band.
Record companies worrying more about market share than developing artists - I hear there was a time when if your first record didn't sell 8m copies, you were still given a chance to grow as a songwriter.
Our first album was a stupid mistake by the record company. They tried to sell us as an alternative act. A big mistake!
Our first record as the Veronicas was a big mainstream success. Maybe if we'd had the indie record first, then the breakout record, it would have been supported by Triple J.
The first record I ever bought was Kiss's 'Destroyer.' And those classic bands like Black Sabbath were my first loves.
The record company started as an adjunct to that, to give young composers their first recorded performances; to give young musicians their first debut on a recording. These are all things that big record companies would never touch because there is no money in it!
This comes from Mike Gonzalez at the Daily Signal: [ Howard] Zinn's history "set the stage for the grievance mongering that passes for history classes today, and is still widely used. It has sold over 2 million copies since it was first published in 1980 and continues to sell over 100,000 copies a year because it is required reading at many of our high schools and colleges. That's a lot of young minds."
To have a No. 1 with 130,000 copies sold is, you know, I remember when we first started selling records, in order to have a No. 1, you'd have to sell at least a half a million if not more, for the rock side of things.
If I were to ask you who the first million-pound show winner was on British TV, you'd probably go for Judith Keppel. She was, indeed, the first 'Who Wants To Be A Millionaire' contestant to win £1 million, but the first one on TV was actually Clare Barwick, who won £1 million on Chris Evans' show 'TFI Friday.'
The first album is a special one for most bands or most artists in general. The first record is your whole life, and then after that you have a couple of months to write stuff and get it for the next record.
You know, punk bands now sell with one record - their first or second record - sell 10 times the amount of records than the Ramones did throughout their career with 20-something records. That's why I go over to Johnny Ramone's house and do yard work three times a week, just to absolve some of the guilt.
I was like a wonder kid at Uptown. The first record I produced sold two million copies - and I'd only produced it because the producer didn't show up.
Our first record, 'Huey Lewis And The News', was seen by no one - it sold 25 copies.
This site uses cookies to ensure you get the best experience. More info...
Got it!