A Quote by Brian Henson

we sent a troupe to Edinborough, and then in Edinborough, there was a producer from the Melbourne Comedy Festival, so we went to Melbourne. So it's one of these shows that kind of organically developed and it started developing momentum way before I even thought there was a show here.
We took a show to the Aspen Comedy Festival, called "Puppet Up" at that point, and in Aspen we just did three shows, and in Aspen, there was a producer from the Edinborough Fringe Festival, who said, "Please come to Edinborough."
At first I moved from Sydney to Melbourne, because most of the comedy was shot in Melbourne, and then from Melbourne to Los Angeles - and you have to sacrifice stuff.
And then after the success at Melbourne Comedy Festival, then we regrouped back in LA and we went back into workshopping and decided to develop a proper show and that's when we started working on "Stuffed and Unstrung," which is a much bigger and sharper version of "Puppet Up."
And always Melbourne, Melbourne, Melbourne, over and over the same photo in glaring greens and reds, of a tram, huffy, blunderous, manoeuvring itself with pole akimbo round the tight corner where Bourke Street enters Spring.
Melbourne is where the Crown story started. It's a testament to the vision and work of Lloyd Williams and Jeff Kennett - our resort helped transform Melbourne and put the city on the map for international tourists.
My old songs used to take place in Gothenburg; then, when I lived in Melbourne, the songs just naturally took place more in Melbourne.
I really miss Melbourne food; Melbourne is very snobbish about their caffe culture, and I feel like I've become a snob, too.
Norm Smith personally came and signed me up to the Melbourne Football Club. The fact that I then played cricket for Melbourne Cricket Club - the footy club didn't like it that much.
I probably get a bit more backlash in Australia than I do in America, to be honest. I was never invited to the Melbourne Comedy Festival because I was too gross, things like that. Which never happened in any other country.
The most special Slam is Wimbledon, of course. But where I feel the best is Melbourne. And you're happy that you're playing. When you get to the middle of the season, everything is week after week, and it's all routine. But when it's Melbourne in January, you are fresh and you want to play. It's nice.
I have visited Australia several times, and I always try to make a point of going to Melbourne because it's almost my favorite city there, Melbourne and Sydney. But I shouldn't say that because I haven't been everywhere-and I'm very fond of Perth too!
The great thing about coming to Melbourne is that people talk about Sydney being the food capital but Melbourne is a lot more; it has that residential feel, a feeling of homeliness. When you go to restaurants, it's known as a creative, artistic city. That's what you get with the food.
I think Melbourne is by far and away the most interesting place in Australia, and I thought if I ever wrote a novel or crime novel of any kind, I had to set it here.
Melbourne City is an awesome city. You can get everything: You can get open air. You can get city life. You can get cafes and bars. I started comedy here; I lived here for 10 years. I went to university here. This is my home ground.
I performed in Sydney some years ago for the Sydney Festival and I am just so pleased to be returning to the wonderful Sydney Opera House and also performing in Melbourne for the first time.
There was a producer from the Aspen Comedy Festival who happened to be there, as a friend of a friend, and she said, "I'd like to book you into the Aspen Comedy Festival," and we said, "Well, there isn't really a show to book in, this is just a little showcase and it's really our workshop." And she said, "No, it's great, I love it, just do exactly what you did."
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