A Quote by Brian Lumley
German readers are much like Brits or Americans: They read for the thrill of it, the occasional shudder down the spine, knowing it's not real - but looking over their shoulders anyway, just in case.
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I have managed not to finish certain books. With barely a twinge of conscience, I hurl down what bores me or doesn't give what I crave: ecstasy, transcendence, a thrill of mysterious connection. For, more than anything else, readers are thrill-seekers, though I don't read thrillers, not the kind sold under that label, anyway. They don't thrill; only language thrills.
I like whimsy and satire, and that's what Americans like so much about Brits. We bring subtlety and sense of humor that you sometimes lack. We have a very long history of importing Brits like Christopher Hitchens who are better at it than Americans are.
Correction of Earlier Entry: 8/01/12We read over the shoulders of giants; books place us in dialogue not just with an author but with other readers.
Eventually we realize that not knowing what to do is just as real and just as useful as knowing what to do. Not knowing stops us from taking false directions. Not knowing what to do, we start to pay real attention. Just as people lost in the wilderness, on a cliff face or in a blizzard pay attention with a kind of acuity that they would not have if they thought they knew where they were. Why? Because for those who are really lost, their life depends on paying real attention. If you think you know where you are, you stop looking.
I know: If you're looking down at Earth, you're looking through an atmosphere that has a bit of haze in many places and not just occasional clouds.
There is nothing like the thrill of walking through the jungle looking for a tiger and knowing they could be watching you already.
Americans and British respondents don't want to let the German people off the hook. They make the case that if you get rid of Hitler, some other leader apart from Hitler would have emerged and, because of the structural constant of German nationalism, would have exploited German national feeling and produce the same kind of events no matter what.
Americans are cool; if you show just a chink of vulnerability, they respond so much. They'll pat you on the arm and say, 'Hey kid, you're all right.' Brits will respond but they are much more cynical.
Americans are cool, if you show just a chink of vulnerability, they respond so much. They'll pat you on the arm and say, 'Hey kid, you're all right'. Brits will respond but they are much more cynical.
I can't speak for readers in general, but personally I like to read stories behind which there is some truth, something real and above all, something emotional. I don't like to read essays on literature; I don't like to read critical or rational or impersonal or cold disquisitions on subjects.
Now, I'm a mixer. I can't help it. It's my nature. I like men. I like the taste of their boots, the smell of their legs, and the sound of their voices. It may be weak of me, but a man has only to speak to me, and a sort of thrill goes down my spine and sets my tail wagging.
Being so pathetic, I don't read. I just ... do things - writing out interviews you can't read, on pictures of footprints and things like that. I kind of like the idea of nailing the thing down and not really showing too much about it. There's just so much you can take for collage nowadays.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
Most readers look at the photograph first. If you put it in the middle of the page, the reader will start by looking in the middle. Then her eye must go up to read the headline; this doesn't work, because people have a habit of scanning downwards. However, suppose a few readers do read the headline after seeing the photograph below it. After that, you require them to jump down past the photograph which they have already seen. Not bloody likely.
There are infimal readers, readers who want to read the same book over and over, but will never read the same book twice.
The greatest thrill is that moment when a thousand people are sitting in the dark, looking at the same scene, and they are all apprehending something that has not been spoken. That's the thrill of it, the miracle - that's what holds us to movies forever. It's what we wish we could do in real life.
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