A Quote by Brian Williams

I personally don't think of the music as being particularly dark, though many seem to disagree as I often have to answer that question. I try and make the Lustmord sound have a real mass and a tangible presence, which some choose to interpret as dark. It's an interesting distinction. Although there are dark elements interwoven within the whole, it's only one of many textures.
The reason why so many of my photographs in the book were taken in stairwells and corridors was that that was the only bit of spare space available and, in some cases, the only place where there was enough light to see anything. Even then, it was often so dark that I couldn't tell which gender my subject was (not that I particularly cared) and too dark, before the era of autofocus, to focus. I had to find a light (or carry a torch) and pre-focus.
The existence of dark matter and dark energy are inferred from observations! They are not theoretical constructs. Though invisible, both reveal their presence through the effects that they exert on motions of celestial bodies and in the case of dark matter - the bending of light as well.
I'm afraid of the dark, but I choose to sleep in the dark. I can fall right to sleep with the lights on. But I want to be someone who can sleep in the dark, so that's the choice that I make.
Some people like the dark music I do. The dark music is my life; it isn't make believe.
It often happens that you leave your house in the dark, shoot on a sound stage without natural lighting, and then go home in the dark. A whole week can go past, and it can feel like 12 hours.
I don't personally see my work as being dark. What interests me is a balance between light and dark.
O dark, dark, dark, amid the blaze of noon, Irrecoverably dark, total eclipse Without all hope of day!
What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page thats really dark and adds a little sweetness to it, a living toys realm.
What I personally gravitate toward tends to be fantasy, medium dark - not too dark - fairy tales and sci fi. Stop-motion takes something on the page that's really dark and adds a little sweetness to it, a living toys realm.
Human knowledge is dark and uncertain; philosophy is dark, astrology is dark, and geometry is dark.
I find it odd that, in real life people think I am funny but no one ever suspects that on the page! Personally, I think some of my work is a riot! I crack myself up, but I know that the poems seem so relentlessly dark.
Many places in the Bronx seem hidden in shadows, just as the Bronx itself is in Manhattan's shadow. And dark stories develop best in dark shadows.
To go in the dark with a light is to know the light. To know the dark, go dark. Go without sight, and find that the dark, too, blooms and sings, and is traveled by dark feet and dark wings.
People always tell me my books are so dark; I don't think they're particularly dark. I'm not like that. I'm quite a cheerful soul.
'War on Everyone,' I think... the script was hilarious to me, but it's very dark, dark humor. It's super dark.
The reason why we find so many dark places in the Bible is, for the most part, because there are so many dark places in our hearts.
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