A Quote by Bridget Marquardt

That's what my wardrobe room looks like. It's all costumes and props. It's ridiculous. — © Bridget Marquardt
That's what my wardrobe room looks like. It's all costumes and props. It's ridiculous.
It's Will," she said. "He's being absolutely ridiculous in the dining room." Charlotte looked puzzled. "How is this different from him being totally ridiculous in the library or the weapons room or any of the other places he's usually ridiculous?
Like, she had a caterer, she had wardrobe people, she had two makeup artists... I mean, we have makeup and we have wardrobe, but Felicia [Day] was, like, on it. She had two cameras operating, sets, extras everywhere. It was unbelievable. I don't know what her budget was or is, but she had sponsors for her show, and we don't have a sponsor yet, so basically, the difference is, our moms make our costumes.
For proper family portraits it's best to stick with classic, timeless looks that will not only be beautiful now but also in 20 years, and keep the wardrobe color palette similar so it looks like the group shot was well planned.
My wardrobe is like a garden oh, I don't know how I've got the gall! My wardrobe is just like a wardrobe it's not like a garden at all!
'Mad Fashion' follows the everyday workings of me and my workshop, where we make fashion, costumes, props, and couture!
My husband and I went to Japan for our honeymoon, and you look at, like, the presentation of the food, and it's ridiculous. It looks like a Mondrian painting or something. Everything looks like a bunch of little Hello Kitty erasers when you eat a little bento box in Japan. It's so precise and beautiful and processed and neat.
There's some projects you're - where you're worrying that the continuity isn't right because people aren't watching after your hair or wardrobe or props, or you're not sure you're getting shot at the right angle.
What does homophobia look like when it's stripped bare of fancy costumes like family values and tradition? It looks like that group of strange, angry people who protest at the funerals of U.S. soldiers who've died fighting for our country.
It's so cliche, but I love the feeling you get from improv that anything can happen. The audience is already accepting that there are no props or costumes or furniture, so the performers can be anywhere doing anything; cut from underground to space, and it doesn't matter.
I totally remove myself from any costumes, wardrobe, any choreography. I could care less about that stuff.
I have over five thousand costumes and props and cars, and I have a twenty-five thousand square foot warehouse full of memorabilia.
I remember getting in the elevator for my audition and there was a guy next to me who had a backpack full of props and wigs and things, and I went, 'Oh, my God, that guy is so prepared, I have nothing, I have no props.' And that was Andy Samberg. And Andy Samberg said he was looking at me going, 'Oh, that guy has no props. He doesn't need props.' And that was the first time we met, was in that elevator.
Did you know babies are nauseated by the smell of a clean shirt? You put on something from the cleaners, they're gonna spit up just like that. My wardrobe looks like we have condors living in our yard.
My wardrobe comprises of the world's top designers and is equally filled with shopping from roadside stalls and local shops because I believe 'if it looks good, it looks good!' full stop.
You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.
There's this group online that I frequent. It's a group of prop crazies just like me called the Replica Props Forum, and it's people who trade, make and travel in information about movie props.
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