A Quote by Brooke Shields
I have a trainer, and I'm not a trainer person. I don't like the attention. I don't like the one-on-one scrutiny. But I've had to enter into a very sort of rigorous rehabilitation program to avoid surgery on my back. I've already had four surgeries on my feet and two on my knee - all from Broadway dancing injuries. On Broadway, they don't really rehab the dancers like they do in sports. It's, "The show must go on" .
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I've had two neck surgeries, a back surgery, three knee surgeries, eye surgery, but I keep bouncing back. I won't go away - kind of like a virus. I don't go away. I keep coming back stronger and stronger. I'm contagious.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
Sometimes I'd literally show up at the gym having a panic attack, and my trainer would be like, 'All right, let's just go get breakfast.' I can't give enough credit to him... he was really there for me, and not just like a trainer where it's like, 'Well, come on, man, I gotta pump you up.' He cared more about my mind and the state that I was in.
When I was thinking about what we could do in terms of what production values of Broadway might be able to add to the show, I had this thought that it would be really cool if we had a coup de théâtre. What would they want? And then I was like, an amazing, enormous tuna puppet that was like 30 by 40 feet would be pretty incredible. So I called up Basil Twist, and he got really excited immediately and started sketching out his idea, and I think it's a real highlight of the show.
I've had four knee surgeries in my career. I just don't do small injuries. The highs of winning are always balanced out by the lows of being injured and missing games. There was a time when I was out for nearly a year, having already been out for six months with another surgery before that.
My last show that I did on Broadway was - I hate to say this, but - 'Cats.' There you go. So I was doing 'Cats' on Broadway, and I injured my back. It was a really tough show.
When I had a record deal in the '90s, that was my dream - to make an album like Barbra Streisand's Broadway album - and they laughed me out of the room. Broadway wasn't cool. But artists like Michael Buble and Josh Groban have brought the classic genre back to the forefront, so I'm trying to find my way inside that market.
I've had, like, 10 surgeries in my life: four or so on my knee, my hip and my nose a couple of times.
It's hard after a long day at work to still get your butt up and go to the gym, so classes are the best motivators for me, or if I have a trainer. I had a trainer for a while, and that was cool because you just show up, and they tell you what to do.
I never had any major surgeries or anything like that. I've had a few career-threatening injuries, but I bounced back from them.
When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
There is definitely that thing here a little where people are like 'Oh that Broadway girl has come to Nashville' and I'm like 'Listen you guys, I was singing country before I even got a Broadway show. And I'm from Kentucky.'
Christopher Walken was probably the most experienced dancing partner I've had in movies, because he has the same background as I do. He's from theatre, Broadway and off-Broadway, and we both shared that.
Just as I was turning fifteen, in the spring of 1946, my parents took me to see 'The Glass Menagerie,' well into its year-long run. I had seen a number of shows on Broadway by then, but nothing like this - because there was nothing like this on Broadway.
I remember telling the agent, 'I don't want to do anything but Broadway.' She was like, 'That's not really possible because there is not that much Broadway. So I'll send you out on TV and stuff like that.'
I tore up my knee break dancing. I have no idea how that happened. Apparently these legs are meant for swimming, but not dancing. I was watching an MTV video, thinking, "I can do this." Definitely not. I heard a pop. I sat down and it blew up like a watermelon. I had to go to the hospital and get surgery.
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