A Quote by Bruce Barnbaum
I'd really rather leave it to others to say what they see in it and to see if I've put something into my photographs beyond a mere recording. Yes, I've chosen the camera position, how I'm going to print the negative, the angel of the lens, what I'm going to include and exclude in the composition, so on and so forth. But, I'm still photographing a work of art, and I would rather leave it to others to comment on my work, as I just left it to you.
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I see no difference between my pictures that people consider amusing and the rest. To me, it's all serious work - they're just a reaction to what I see. I don't leave this apartment in the morning and say to myself 'Today I'm going to be funny and tomorrow I'm going to be sad.'
Praying is no easy matter. It demands a relationship in which you allow someone other than yourself to enter into the very center of your person, to see there what you would rather leave in darkness, and to touch there what you would rather leave untouched.
I moved from Denmark to America. I left my family. I left my school. I left my friends. And it was basically to pursue my career, and I didn't know if it was going to work out. So that was very scary to leave everything and just put everything into a whole new thing where you don't know if you're going to make it or not. But I think I'm doing good.
Every person has the power to make others happy. Some do it simply by entering a room others by leaving the room. Some individuals leave trails of gloom; others, trails of joy. Some leave trails of hate and bitterness; others, trails of love and harmony. Some leave trails of cynicism and pessimism; others trails of faith and optimism. Some leave trails of criticism and resignation; others trails of gratitude and hope. What kind of trails do you leave?
When I'm photographing, I don't have that kind of nonsense running around in my head. I'm photographing. It's irrelevant in the end, so it doesn't mean a thing. It's not going to make me do better work or worse work as I can see it now.
The further you go in life, the more you realize what you're going to leave this earth. It's not going be, "It was a great platform. It was great to win the Super Bowl." But, really and truly what you're going to leave this earth is the influence on others.
The further you go in life, the more you realize what you're going to leave this Earth. It's not going to be, 'It was a great platform. It was great to win the Super Bowl,' but really and truly what you're going to leave on this Earth is the influence on others.
I just happened to have my camera and be photographing my friends. It was totally innocent; there was no purpose to the photographs. There was a purity to them that wasn't planned; it was realism. Over the years, the work has changed for me. I know that I have wanted to repeat myself, but I can't. I've been lost a lot of times, but then I'd just get an idea and photograph it. Once I'd started, I'd know exactly what would go down and how it would end. So I just quit doing it, because it loses all interest for me when you know what's going to happen.
When I was in art school, I thought art was something I would learn how to do, and then I would just do it. At a certain point I realized that it wasn't going to work like that. Basically, I would have to start over every day and figure out what art was going to be.
I’m in for work at 6.30am and one of the last to leave. I don’t want to go home. We have beds at the training ground and I go home sometimes and say to my wife: 'Do you know something, I didn’t want to leave work today!' It’s not a slight on my wife. It’s just a great position to be in when you love your job so much.
Giving my life to you may mean leading a very ordinary life or it may mean leading an extraordinary life. It may mean having a family and a career or it may mean going beyond all that to just work for others. It's hard to say. Rather than making a decision myself, I'm going to give my life to you, to do with as you will, because I know that you are my self, you are my very being.
The camera cannot leave the man, but the man can leave the camera. It's in the style of documentary where you make an agreement between a camera and a man and say, "I'm going to film you now."
As a young boy growing up in Rohtak, India, I had no idea what my life's work would be. But my parents instilled in me something that I have never forgotten: that work must have a sense of purpose beyond mere financial gain; that to be meaningful, work should make a positive and lasting difference in the lives of others.
I love Monet: his 'Water Lilies' would look great on my wall. But would I prefer to see money helping kids get better from cancer rather than spending it on a work of art for my own personal indulgence? Yes, I probably would.
I think people like me are in a relatively privileged position because we have to some extent chosen to live in foreign places. I would always make the distinction between those who are exiles in terms of being thrown out of the place they want to be, and others who are exiles in terms of going toward a place they would rather be.
You say, "Well, I am not going to be anyone's 'yes man.' If I see something wrong in a person, I'm going to warn others about it." Fine. But beware that what you are calling "courage to speak out" is not more truly a deception masking a rebellious, dishonouring attitude.
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