A Quote by Buchi Emecheta
Being a woman writer, I would be deceiving myself if I said I write completely through the eye of a man. There's nothing bad in it, but that does not make me a feminist writer. I hate that name. The tag is from the Western world - like we are called the Third World.
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I'm a fiction writer, and I do write essays, but I am not a poet. And I absolutely reject the phrase 'woman writer' as anti-feminist. I wrote an essay about this as far back as 1977, at the height of the neo-feminist movement.
When I came into consciousness as a writer when I was in my early 20s, I just assumed that a writer did - a poet writer did everything all at once. I would write poetry, and while writing poetry I would also write work in the world - if I could get into the world.
I'm not the most talented writer in the world. I know that. But I also know that I'm disciplined, that I work my butt off, and that I make myself write as much as I can. Writer's block is a luxury I can't afford. I'm a professional writer, which means that I put my butt in the chair each day, and I write. Simple as that.
I don't like to call myself a feminist writer. I say I'm a feminist, but I don't write to propagate an ism.
I view myself as a fiction writer who just happens to write nonfiction. I think I look at the world through a fiction-writer's eyes.
When you decide 'to be a writer,' you don't have the faintest idea of what the work is like. When you begin, you write spontaneously out of your limited experience of both the unwritten world and the written world. You're full of naïve exuberance. 'I am a writer!' Rather like the excitement of 'I have a lover!' But working at it nearly every day for fifty years ? whether it is being the writer or being the lover ? turns out to be an extremely taxing job and hardly the pleasantest of human activities.
I think the press does, too; it's just the few crazies and paparazzi that give them a bad name. Real writers write good things. My daughter's a writer, and she's a quality writer.
If you want to be a writer, write. Write and write and write. If you stop, start again. Save everything that you write. If you feel blocked, write through it until you feel your creative juices flowing again. Write. Writing is what makes a writer, nothing more and nothing less.
I like reading the world through a writer's eyes, rather than seeing a writer looking at him or herself as if at the center of gravity of the world around them.
All third world literature is about nation, that identity is the fundamental literary problem in the third world. The writer's identity is insecure because the nation's identity is not secure. The nation doesn't provide the third world writer with a secure identity, because the nation is colonized, it's oppressed, it's part of somebody else's empire.
The nightmare of censorship has always cast a shadow over my thoughts. Both under the previous state and under the Islamic state, I have said again and again that, when there is an apparatus for censorship that filters all writing, an apparatus comes into being in every writer's mind that says: "Don't write this, they won't allow it to be published." But the true writer must ignore these murmurings. The true writer must write. In the end, it will be published one day, on the condition that the writer writes the truth and does not dissemble.
I wouldn't buy somebody's album on a dare if they called him a musician's musician. I don't write to be a writer's writer. I don't want to be like the little-magazine writer.
I say "on principle" [regarding 'lesbian writer'] because whenever you get one of your minority labels applied, like "Irish Writer," "Canadian Writer," "Woman Writer," "Lesbian Writer" - any of those categories - you always slightly wince because you're afraid that people will think that means you're only going to write about Canada or Ireland, you know.
Any adjective you put before the noun 'writer' is going to be limiting in some way. Whether it's feminist writer, Jewish writer, Russian writer, or whatever.
If the writer is a woman, feminist or not, it will give the language something that it would not have if it had been used by a man.
The first is that good writing consists of mastering the fundamentals (vocabulary, grammar, the elements of style) and then filling the third level of your toolbox with the right instruments. The second is that while it is impossible to make a competent writer out of a bad writer, and while is equally impossible to make a great writer out of a good one, it is possible, with lots of hard work, dedication, and timely help, to make a good writer out of a merely competent one
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