A Quote by C. Everett Koop

That is why we are working with these various groups that have volunteers. We can get a lot of these things done. Nobody has dropped out, and a lot of people would like to join. We now know what each other does.
I didn't really know what to expect, but I thought there aren't a lot of rap groups that can say they have a documentary done about them, so my attitude was like, 'Shoot, why not?' I'm sure there are a lot of people that would like to take our place. I felt like we should all embrace it.
A lot of groups, they get put together. But we don't even think of each other as a group. I don't think I'm in a group with two other guys, where I don't know their moms and their grandmas, their aunties, and I don't know where they came from. This is my immediate family. These are the only people I know. That's why we be around each other so much.
You have to be careful when it comes to copyrights, whether just sounding like or feeling like something is enough to say you violated their copyrights because there's a lot of music out there, and there's a lot of things that feel like other things that are influenced by other things. And you don't want to get into that thing where all of us are suing each other all the time because this and that song feels like another song.
There's a lot of responsibility involved in sharing a very personal story with a lot of people, and it's easier for others not to know about things - and I know that. But in terms of the general climate, socially, these are things people have to deal with on a daily basis. We hear so many negative stories but rarely do we get positivity. We have memes of cute cats and puppies and things like that, but if they didn't exist, people would be a lot more unhappy. We need more things like that.
I feel like people expect a lot out of girls, like you're supposed to know who you are and what you want out of life right now. Some girls know. I did. But lots of people don't know. You have to try a lot of things and not worry about what people are thinking.
When you keep working with somebody, you find out a lot of things about them if you don't know each other personally.
I think politics is a reason why a lot of stuff doesn't get done. There's a lot of favors, and a lot of people are held back by their intentions of being re-elected or the things that they owe their party or constituents.
It's sad. There's a lot about this industry that a lot of people don't know about and don't find out about. There are a lot of tough things and trials and stuff that you're faced with. Sometimes, God has other plans for people. Sometimes bands can't stick through it. It depends on the situation. Keep praying for the bands that you like, seriously, because a lot of things will try to get in the way of being together. We've been blessed with not deal with those yet, but if we ever did...?
Well, the difference in working with the Supremes and the other girl groups like Martha and the Vandellas, and the Marvelettes, you let the material dictate to you, uh, really, how you worked with the group, and with the talent, and the personalities. All of these things was instrumental in having all of the groups, uh, retain their own identity. Uh, and, and the material had a lot to do with it, you know.
I've done and said a lot of things when I was younger that I don't know if I even understood what I was doing or why I was doing it. There's a lot of compassion in understanding what people go through and even in trying to understand why a person would act the way they do. I was a very reactive person, and I did things that were just really bizarre; I don't think people understood it at all.
You know, we had problems like any other family, so I'm really similar to a lot of people out there. It's kind of why I feel like if a song is relatable to me, it's most likely gonna be something a lot of other people are gonna relate to.
I feel like I'm a New Yorker to the bone. But there is a lot of the South in me. I know there is a lot of the South in my mannerisms. There's a lot of the South in my expectations of other people and how people treat each other. There's a lot of the South in the way I speak, but it could never be home.
Throughout my years in business, I discovered something. I would always ask why you do things. The answers that I would invariably get are: 'Oh, that's just the way things are done around here.' Nobody knows why they do what they do. Nobody thinks very deeply about things in business.
A lot of people who are in charge in Hollywood are women, so they have the power. Now, I've met a lot of these amazing women who are offering opportunities to other women, and they're awesome. But for the women who maybe haven't done that yet, it's like, why?
It's always a problem when you're working with people you don't really know. Most filmmaking is about shaking hands and just starting. You know, these month - or two-month-long endeavors that millions of dollars are based on, and the people doing them don't even know each other, or know each other under pressure, or know each other when things are really... Which filmmaking is completely done under in many circumstances. You're under constant crisis, making a movie.
You're grateful to have brothers in the league, and then when it comes down to it, and you have a brother on the same team, that's awesome. It's a lot more support and a lot more intensity we can bring out in each other because we know each other like that.
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