A Quote by Cameron Dallas

I have a tweet that said, 'I want to be a Calvin Klein model,' and that was in 2011. And then I modeled for Calvin Klein. And then I had a tweet like, 'I wonder what it's like to be in front of thousands of fans,' and I've been in front of thousands of fans.
I got to train with some of the best and have critics like Oscar de la Renta and Calvin Klein. As a student under Calvin Klein, my project was to make a coat, and then years later, I was hired at Calvin, by Calvin, to design coats for him. It came full circle!
I would never rep Versace. I can't stand her. I think she makes disgusting clothes. Calvin [Klein] is like, snore! Who wears Calvin Klein? I'm not dissing him. I think he's built an amazing, respectable business, but I would never want to work for Calvin Klein, ever.
The most inspiring thing for me about Calvin Klein was how subversive the advertising's message was. That's what drove me in my creative process and also in my creating now. The new advertising campaign is Calvin Klein the way I see it today. It's also bringing back the kind of subversive element that I always saw in Calvin Klein's campaigns.
I had wanted to be a Calvin Klein model since I was 17. Marky Mark in his Calvin Kleins was the epitome of male sexuality. That was something I worked for.
Of course, we always get references from the past, but that doesn't mean that the clothes have to look like the past. We need to look forward, which is why I'm fascinated by new materials, technologies, techniques, and unusual ways to use colors or textures. It's very applicable to Calvin Klein because Calvin Klein has always been about modern-ness.
I own more pairs of Calvin Klein underwear than I can count. At any given time, I probably have 50 to 60 pairs on deck. I travel with an entire suitcase of underwear and t-shirts, and they're all Calvin Klein.
You can't compare us, but I do think that Calvin Klein influenced his way of working. Calvin created this whole aesthetic with imagery - the whole sex thing. I can see that Calvin influence on his work. What Calvin has created is untouchable. My legacy, whatever it is I'm doing here, is miniscule compared to what he has done. It's just like an update deal.
I was an underwear model for Calvin Klein for a few years. It is not something I wanted to do at first. I never regretted it, but I am a shy person, and to stand there buck naked in front of a camera was scary.
There are many things Calvin Klein would have never done - he would have never put men in leggings in a show; he would have never done a fluorescent suit - but these are things that are right for the moment. For example, a fluorescent suit is graphic, and Calvin Klein is about being graphic. And Calvin Klein is always modern at its core, so I inject my own research and my own innovation, and I make it my own. But I never deny that core, because that would be stupid.
If I ever modelled for Calvin Klein I'd give myself to a flock of fans to beat me silly with a baseball bat.
Handsome, fictional men were so much easier to stomach than real life ones who smelled of Christmas and looked like a Calvin Klein model
I had a great experience at the [2011] World Cup. Unfortunately, we didn't end on the note we wanted to, but I still had an Amazing time representing our country and playing in front of thousands of fans.
I like fresh, crisp, cool, plain white cotton sheets from Calvin Klein.
I think I've done two shoots in my underwear ever. They both happened to be for Calvin Klein. But that tag - 'underwear model' - I just can't get rid of it. And it's such a bizarre, specific thing - underwear. It's like I never modelled clothes.
I always like to make sense of things that, in theory, would not make any sense together. It's true that the core of Calvin Klein has been . . . I don't want to say conservative, but real clothes that are worn by everybody.
I have been a muse to Mr. Saint-Laurent, Valentino, Calvin Klein, Donna Karan, Versace.
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