A Quote by Camila Morrone

Having my film premiere in Cannes has always been the ultimate dream for me. It is a combination of the elegance of the festival, the setting and the quality of films that premiere there.
The premiere of Lynne Ramsay's film of 'We Need To Talk About Kevin' at the Cannes film festival provides an apt juncture at which to celebrate the miraculous power - not of film but of fiction. Lo, I have created a monster.
When the film [Certified Copy] was in the Cannes Festival, I realized that the fact of having it shot in a different culture, in a different language, in a different setting, that wasn't mine and that I didn't belong to, gave me a totally different relationship to the film. When I was sitting in the audience during the official screening in Cannes, I didn't feel that it was my film.
Cannes is the oldest film festival in the world, and I've long dreamed of having one of my films there in competition. It's a dream that lay dormant for a long time; I stopped believing in it.
I like doing the promotional work. It's part of the film's process. Cannes was very wonderful to premiere.
The Cannes Film Festival is the biggest, most prestigious film festival in the world. This is where filmmakers are discovered, where futures are made, and the most important films premiered.
The Cannes film festival is about big-budget films but also remarkable films made in different political regimes by film-makers with little resources.
Sometimes I think some of my fellow novelists who have not worked in television and film are very naive about this process. They get an offer and there's the dump truck full of money and they sign it, they cash the check and then they're not involved in the series. They may get invited to the premiere and they come out of the premiere looking like all of their children had just been gassed, with a stunned look on their face because everything has been changed.
The good thing about a film, or at least the films I've been a part of, is, no matter what happens in the end, you do the premiere and everyone's excited. You don't remember the rough times.
When you premiere somewhere like Cannes, it's huge. It's nerve-wracking.
Cannes Film Festival prefers political films. We have to target certain festivals based on our films.
I was in Cannes two years ago at our 'U23D' movie premiere. I love the French.
When we finished 'Stop Making Sense,' we went right to the San Francisco Film Festival for the world premiere, and people swarmed the stage and started dancing before the first song was even finished.
Roger Ebert and Gene Siskel first championed my film, 'Hoop Dreams,' which was essential to its success. Roger remained a great supporter of my work throughout my career, and I'll never forget him tweeting about 'The Interrupters' right before its premiere at the Sundance Film Festival in 2011.
I remember in 1968 when we were in Cannes, in the festival, and we were supposed to be there 10 days, and the second day the festival collapsed because the French, you know, film-makers raised the red flag in the festival and ended the festival.
Arguably, the Venice Film Festival is the second best film festival in the world, after Cannes.
I've enjoyed it, I have seen it once at the premiere in London and it was very nice to be invited there. But I do want to see it again now. I want to sit and watch it as a fan rather than being there at the premiere with all the lights and such.
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