A Quote by Carl Andre
My works have always been unjoined. People were always making variations of my works, and I just said, "I don't want to know." You can't put limits on those pieces. You can't be there all of the time when they're installed.
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Relationships, it seems to me, are timeless. What works between two people always works; what doesn't is always troublesome. Over time, people learn - or not - how to negotiate what's difficult, but that doesn't mean the misfit has gone away entirely.
Actually, if you look at the works of the great architects of our time, you can see that their most beautiful works are always their later works - Kahn, Corbusier, even Gehry.
I am not very extreme in my life. But I'm very attracted to art that works with extremes and works with limits, that transgresses limits and transcends limits and crosses borders and has a certain boldness.
It's always been like this since the beginning of time. You interact with one female or somebody that people will think you'll cute with and everybody either assumes that you're dating or they want you date. It's just how it all works.
People think they want to know how magic works, but really they don't. How it works is never as amazing as what the trick was in the first place, so it's never going to make you feel good. Somebody just wanting to know how a trick works is never enough to make me want to tell them.
When you feel that you are a lonely, put-upon, isolated little stranger confronting all this, you are under the influence of an illusory feeling, because the truth is quite the reverse. You are the whole works, all that there is, and always was, and always has been, and always will be.
Any virtual community that works, works because people put in some time.
I just always wanted a platform. In the past, I always dreamed of having a following and a fan base - you know, a group of people just listening and paying attention to what I was making. I think the reality kicked in that you have to make a living so that you have enough time to keep creating, you know? 'Cause if you're not making a living at this, then you're making a living working another job, and if you're working another job, you're spending all your time doing that and can't put enough time into the music.
My dad has always taught me these words: care and share. That's why we put on clinics. The only thing I can do is try to give back. If it works, it works.
I was incredibly fatalistic. I just thought, 'If it works, it works.' But I've always been like that. I've never been easily impressed, and I've never thought I didn't deserve something. If I got it, then I deserved it.
My parents have a ridiculous work ethic; my dad just works, works, works, works, works. I think it would be hard to find a guy who's logged more hours than that guy.
What people don't know about oppression is that the oppressor works much harder. You always grew up being told you were not smart enough or not fast enough, but we all lived from the time we were children to beat the system.
Fascination is one step beyond interest. Interested people want to know if it works. Fascinated people want to learn how it works.
I had a teacher in art school who said something about the only works he really enjoyed seeing or found much in were works where he had a sense that a discovery was made in the course of making this object. I like to hold to that as my marching orders.
Marches work, rallies work, civil disobedience works, direct action works, voting works, writing letters works, speaking to churches and schools works, rioting works.
My tiny baby blossoming art collection is comprised of works by artists I have either assisted or been mentored by, artists I am friends with, or artists I have traded with. As much as I want to and aspire to acquire works from established artists, I love acquiring works from my contemporaries in order to participate in this moment in time. The advice I would give is know what you like, take your time, and invest in things you feel connected to, as opposed to buying something because it seems cool or "of-the-moment."
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