A Quote by Carl Frampton

As a kid I could be in New Lodge in a minute. I'd go down our street, turn right and I was there. — © Carl Frampton
As a kid I could be in New Lodge in a minute. I'd go down our street, turn right and I was there.
The smallest decisions made had such profound repercussions. One ten-minute wait could save a life… Or end it… One wrong turn down the right street or one seemingly unimportant conversation, and everything was changed. It wasn’t right that each lifetime was defined, ruined, ended, and made by such seemingly innocuous details. A major life-threatening event should come with a flashing warning sign that either said ABANDON ALL HOPE or SAFETY AHEAD. It was the cruelest joke of all that no one could see the most vicious curves until they were over the edge, falling into the abyss below.
If you believe a black cat is bad luck, people think you're crazy, but plenty of times, if I see a black cat down my street, I turn around and go the other way. Even if I'm late. I'll be late for the airport and be in a limo, and if I see a black cat, I'll be like, 'Sir, you have to turn around and go down the next street.'
Every day I watched how a bare metal frame, rolling down the line would come off the other end, a spanking brand new car. What a great idea! Maybe, I could do the same thing with my music. Create a place where a kid off the street could walk in one door, an unknown, go through a process, and come out another door, a star.
There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them.
Since I was a kid, I could make up stories, I could make up funny jokes and I could always do it. When I'm walking down the street or having dinner, ideas will hit me, and I write them down on matchbooks or napkins and throw them in the draw.
I lived on the north side of Detroit. Right down the street from me there was a young man by the name of Smokey Robinson. I was very proud to live down the street from him because he was our only celebrity in town. He was singing with the Miracles.
Up on the roof Tatiana thought about the evening minute, the minute she used to walk out the factory doors, turn her head to the left even before her body turned, and look for his face. The evening minute as she hurried down the street, her happiness curling her mouth upward to the white sky, the red wings speeding her to him, to look up at him and smile.
If I played a tough kid on the street I couldn't go out there and get into fifth position. I had to dance like a tough kid on the street.
Our trials are supposed to turn us toward God, but we whine and complain and wish someone would turn down the fire so we could have our old life back the way it was.
I feel like I can be infinitely inspired because New York is huge. There's always a new street I can go to, or a billion new people who I haven't met that I could write about. New York is very humbling.
I could be walking down the street one minute and get a handshake and then get spat on the next. I'm never sure whether to wear gloves or a helmet.
Dude, I turn into a six-year-old when I come to Disneyland. It's amazing. My eyes glass over and my blood pressure goes down. I'm just like everybody else. I turn into a big kid when I come here. It's the happiest place on earth, right?
He had called girls to him before. There was nothing so easy whether you were walking into a classroom, a club, or down the street. All you had to do was send out the right signals, give her the right look, turn your body the right way, and never for a moment let it cross your mind that she might not be interested.
Everyone has the right to walk from one end of the city to the other in secure and beautiful spaces. Everybody has the right to go by public transport. Everybody has the right to an unhampered view down their street, not full of railings, signs and rubbish.
I am delighted to be here in these new [Council on Foreign Relations] headquarters. I have been often to, I guess, the mother ship in New York City, but it's good to have an outpost of the Council right here down the street from the State Department. We get a lot of advice from the Council, so this will mean I won't have as far to go to be told what we should be doing and how we should think about the future.
All this new stuff goes on top turn it over, turn it over wait and water down from the dark bottom turn it inside out let it spread through Sift down even. Watch it sprout. A mind like compost.
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