A Quote by Carl Hiaasen
I think in the old days, the nexus of weirdness ran through Southern California, and to a degree New York City. I think it's changed so that every bizarre story in the country now has a Florida connection. I don't know why, except it must be some inversion of magnetic poles or something.
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I'm from Florida, which I consider more southern. You cannot put Florida in the same category as California or New York.
I've always wanted to do theater in Chicago. Chicago is a big theater town-and, in some ways, I think this city is savvier and smarter than New York. Sometimes, I think it's a little too chic to go to theater in New York these days.
No matter where you put me, I don't care if it is North Carolina, Florida, California, New York City; I'm going to be who I am.
Some of us claim that New York City is the capital of the country, indeed the capital of the world. Now, that may be a bit much for those who don't come from New York, but clearly we are an important city for reasons of our cultural advantages.
I like what I see now in China, but I think the Japanese are a step ahead into craziness and weirdness. I go to galleries there that are the size of a New York elevator, and every time I'm surprised by the amazing things I find. I really hope I'll be able to promote some of these artists, to show their work in the West.
Southern Florida ain't even Florida for real. It's like New York, Chicago, the beaches.
People look at me, and I dress a little unusually and they think, 'Oh you must be from California.' Of course, people in California think, 'Oh you must be from from Mars,' so, you know, your next-door neighbour is not necessarily the person that you are going to make a connection with.
I don't think it's fair that we cannot guarantee every child in this country a great education and that, in New York City, in some cases, your child is at risk in some part because of the policies the union endorses.
That's what I'm doing here, throw out New York and California, Donald Trump wins the popular vote by nearly three million votes. But you can't throw out New York and California. This is exactly why we have the Electoral College. Had there been no Electoral College and had the election be defined by the popular vote, I guarantee you that the two states where the candidates would have been all the time are New York and California. There would have been some time in Texas and they would have ignored the vast majority of people in the country.
When Washington State has been good, they've always had a connection to Southern California. You know, as far as visiting, that's different than recruiting. Recruiting is based on production and players, who you can get. You know, so, the nicest parts of Southern California aren't necessarily the best players.
Louisville is a place with no labels. It’s not the South, it’s not Chicago, and you don’t think of it as you think of New York or LA. It has some Southern romanticism to it, but also a Northern progressivism, this weird urban island in the middle of the state of Kentucky that has always provided a fertile, often dark, bed. For us, Louisville and the surrounding areas are the center of massive creativity and massive weirdness. The place has its flaws: You move away, but you’re always going to come back.
Mortal City was really influenced by geography. [The song] "The Ocean" is the Pacific Northwest. Southern California and New York also figure into songs, and Iowa. "February" is very much about New England. "Mortal City" is Philadelphia. The whole album is this anthropomorphized landscape where the metaphors live in this geography.
I know there are California oranges and Florida oranges. When I'm in Florida, I like Florida oranges. Today, I think California oranges are the best, of course.
The Green New Deal is for elitists who live in their high rises in New York City and see a dirty world around them because they're in New York City. I said New York City can pass a Green New Deal... Why not try it? Why not try it?
New York does nothing for those of us who are inclined to love her except implant in our hearts a homesickness that baffles us until we go away from her, and then we realize why we are restless. At home or away, we are homesick for New York not because New York used to be better and not because she used to be worse but because the city holds us and we don't know why.
'The Machinist' changed me. I learned that I really enjoy, literally, not saying a damned word for days at a time, except for what was in the scene. Whole days of... nothing. Just... standing still. I know a lot of people found it bizarre, because they'd be standing right next to me thinking, 'Why aren't we talking? What's going on?'
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