A Quote by Carlene Carter

I was thinking about it: so many of my stories are about my family life, not about being related to a lot of famous people. That's my grandma, that's my mama, my daddy, my aunt, my uncle, my stepdaddy. I'd probably tell them even if they weren't well known.
Some people spend their entire lives thinking about one particular famous person. They pick one person who's famous, and they dwell on him or her. They devote almost their entire consciousness to thinking about this person they've never even met, or maybe met once. If you ask any famous person about the kind of mail they get, you'll find that almost every one of them has at least one person who's obsessed with them and writes constantly. It feels so strange to think that someone is spending their whole time thinking about you.
Starting off in music, the purpose of it was not to become like well known on the street and be famous. You know, I didn't even think about that part of being famous. Famous for making records, yes, but famous face in a woman's magazine, I never thought of that. I didn't want that.
Our culture already has a number of well known stories about artificial life and non-human intelligence. In 'Exegesis,' I've tried to not only tell a new and engaging story but also to comment on those well known stories through the details of my novel.
Well, religion has been passed down through the years by stories people tell around the campfire. Stories about God, stories about love. Stories about good spirits and evil spirits.
The stories we tell each other and the stories we tell about heroism, about magic, about faith - those things say a lot about who we are and the kind of lessons that we wanna convey to our children.
I thought about the difference between a mama's girl and a daddy's girl. I decided that a daughter who belongs to her daddy expects gifts, while a daughter who belongs to her mama expects a lot more. Not from her mama. From herself.
As a rule, you see, I'm not lugged into Family Rows. On the occasions when Aunt is calling Aunt like mastodons bellowing across premieval swamps and Uncle James's letter about Cousin Mabel's peculiar behaviour is being shot round the family circle ('Please read this carefully and send it on Jane') the clan has a tendency to ignore me. It's one of the advantages I get from being a bachelor - and, according to my nearest and dearest, practically a half-witted bachelor at that.
I grew up in this era where your parents' friends were all called aunt and uncle. And then I had an aunt and an aunt. We saw them on holidays and other times. We never talked about it, but I just understood that they were a couple.
I have ventured out and written about real-life experiences that I haven't gone through myself, but I've known people to go through them. In the past, I've always written about my experiences and people related to that, but there's a lot of other things that I've never written about that people have gone through.
When I'm up on stage, I'm thinking more about my fans and about myself as a singer and an artist. When I'm at home being a daddy, the last thing I'm thinking about is being an artist. It is two things that I never really put together.
A lot of my family weren't present when I was young, so I was getting a lot of stories told to me about them. Certain members of family had reputations because they were involved in crime and stuff like that. Then, when I was out on the streets, I'd be hearing more stories about them. So I think my whole upbringing was just heavily story-oriented.
I thought how you can never tell just by looking at them what they were thinking or what was happening In their lives. Even when you got daft people or drunk people on buses, people that went on stupid and shouted rubbish or tried to tell you all about themselves, you could never really tell about them either... I knew if somebody looked at me, they'd know nothing about me, either.
It is important to tell our secrets too because ... it makes it easier for other people to tell us a secret or two of their own, and exchanges like that have a lot to do with what being a family is all about and what being human is all about.
My music always been based off telling stories and now I really got a lot of stories to tell about my life, what my family went through, what my people went through.
A lot of street dudes, you know their grandma go to church every Sunday. A lot of people in the pen, a lot of that come from them running away from that. They seen they grandma always going to church, mama always going to church, but they still struggling. This the reality of some peoples' life.
I don't think I've ever signed onto anything as quickly as I did The Hollars, because I come from a really loving, well-connected family, where we see each other all the time. And when I was done with this script, I was like, "Oh my god, that's my family!" This is obviously a very dysfunctional family, but there was something about it that was sort of universal. And I think that in this day and age in today's world - there's a lot of drama out there. It's nice to tell stories about things as simple and powerful as family.
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