A Quote by Carlisle Floyd
Socially I never was an outsider. I have never thought of the conflict element before frankly, but perhaps it was wanting to belong, and at the same time wanting to retain one's own personality.
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Unworthiness is the inmost frightening thought that you do not belong, no matter how much you want to belong, that you are an outsider and will always be an outsider. It is the idea that you are flawed and cannot be fixed. It is wanting to be loved and feeling unlovable, or wanting to love and feeling that you are not capable of loving.
People love a conflict. Artistic conflict is not like that at all. It's just wanting your own space, it's not wanting what the other person has. And we dissolved at a good time - we were very close to the top of our game.
I was kind of an outsider growing up, and I preferred reading to being with other kids. When I was about seven, I started to write my own books. I never thought of myself as wanting to be a writer - I just was one.
I was kind of an outsider growing up, and I preferred reading to being with other kids. When I was about seven, I started to write my own books. I never thought of myself as wanting to be a writer-I just was one.
I'm an extremist, I have to deal with my own extreme personality, and I walk the fine line of wanting to die and wanting to be the ruler of it all.
Jobs has within him sort of this conflict, but he doesn't quite see it as a conflict between being hippie-ish and anti-materialistic but wanting to sell things like Wozniak's board. Wanting to create a business.
Politicians never accuse you of 'greed' for wanting other people's money - only for wanting to keep your own money.
I don't know that I ever wanted greatness, on its own. It seems rather like wanting to be an engineer, rather than wanting to design something--or wanting to be a writer, rather than wanting to write. It should be a by-product, not a thing in itself. Otherwise, it's just an ego trip.
One of things I write about a lot is the role of women. An older friend of mine said that she feels like there's always a tension between wanting to be free and wanting to be cherished. I think that's one of the things that my whole book speaks to, wanting to break out of the confines of the roles that are prescribed for women and yet at the same time, not wanting to be totally free. You want to have intimate relationships. It's that bursting out of confinement.
All this stuff you heard about America not wanting to fight, wanting to stay out of the war, is a lot of horse dung. Americans, traditionally, love to fight. All real Americans love the sting of battle. Americans play to win all the time. I wouldn't give a hoot in hell for a man who lost and laughed. That's why Americans have never lost - and will never lose - a war, because the very thought of losing is hateful to Americans.
A lot of what I was wanting to do in my work and what I have been doing has been about the unexpected... that unexpected situation of wanting to be the heroine and yet wanting to kill the heroine at the same time.
Don't you understand that wanting does not belong here, because that is what wounds, and there is never an end to it.
Me wanting a gang member to have a different life would never be the same as that gang member wanting to have one.
Much thought has at its root a dissatisfaction with what is. Wanting is the urge for the next moment to contain what this moment does not. When there is wanting in the mind, that moment feels incomplete. Wanting is seeing elsewhere. Completeness is being right here.
Perhaps when we find ourselves wanting everything, it is because we are dangerously close to wanting nothing.
A lot of the music comes out of that conflict of wanting this other thing and feeling guilty about wanting it, and then it guiding me somewhere despite my kicking and screaming.
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