A Quote by Carol Guzy

I think a lot of times, especially for certain stories, photographers travel together for safety reasons, and they also invariably cross paths. But you could have 10 photographers shooting together in the same spot but capturing different images.
Rex has photographers around the world - it's a higher touch business: there are a lot of relationships involved. If you throw an event, there are certain photographers you've worked with before and you want there.
What amazes me is that you can have 10 different photographers in the same room, and you see 10 different rooms. You realize how much of it is the person's perspective rather than the situation itself.
When you are in an international camp, you are together for 10 days. You eat three times a day together. You spend a lot of time in each other's company. That 10 days is very important ,and I think even times for training, times when you eat, meetings, this that and the other, a lot has got to change in that camp.
I think the greatest photographers are the amateur photographers who do it because they love it. Arnold Newman is a good example; he is a consummate professional, but he's also an 'amateur' in the pure sense of the word.
One of the reasons I work serially, but also one of the reasons that I try to claim space in painting, is I'm desperately interested in asking: How can a group of images, or even two images, have meaning together?
If there is a single factor which separates the best photographers from the wannabes it is the quantity of images which they produce. They seem to be forever shooting. I have watched many of them as they take picture after picture even when they are not photographing. [...] Often these intimate images do not look as though they were taken by the same photographer. And that is their fascination and charm.
I've had my body manipulated so many different times for so many different reasons, whether it's paparazzi photographers or for film posters.
I admire a lot of photographers, but I feel very disconnected from them at the same time. I don't feel I employ any technique like these people in my work. I guess if there's any influence from any of these photographers, it's this: They were concerned only with beauty. Not with 'cool.' I hope I'm doing the same.
I've seen so many photographers rush to do books the minute they start shooting, but one great thing about photography is that the images don't go away, so the more I sit with these images, the more I learn which ones have had the most impact.
The main thing is to study pictures and stop listening to the pontifictaions of photographers. Photographers aren't oracles of wisdom. If they're good photographers, then take a good look at their pictures - what else do you need?
Acting is interesting because you get to be involved in different stories and get to work with different people. Also, acting allows one to be a part of different stories, travel to different parts of the country and all the experiences put together make life interesting.
Myself, Karl Anderson, and Luke Gallows are best friends. We travel together, we train together, we eat together, and we do a lot of things together.
A girl's career today doesn't have the same kind of life span, whereas it used to be a collaboration and a partnership and it continued. Peter Lindbergh still uses girls - like, look at Amber Valetta - so there are some photographers that have relationships long-term with models. I also think that the industry can't support the amount of models that exist right now and therefore the relationships between photographers and models and even the clients is short lived.
I think there a lot of great photographers working right now in the 2010. At the same time I do occasionally feel a great disappointment in some of the things that I see from certain people. But it is today.
Photographers should make three or four prints from one negative and then crop them differently. When I was art director at Harper's Bazaar and at several agencies as a consultant, young photographers would bring me their portfolios and all the prints would be in the same standard proportions, either for the Leica or the Rolleiflex. Many times, by limiting themselves in this way, they missed the true potentialities of their photographs.
I like photographers - you don't ask questions. (To a gathering of the White House News Photographers Association)
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