A Quote by Caroline Polachek

Playing to bigger audiences at festivals got me in the mindset of writing music that I would sing to a crowd. — © Caroline Polachek
Playing to bigger audiences at festivals got me in the mindset of writing music that I would sing to a crowd.
When we finally got to play that and we had a great show there, well I can tell it was pretty awesome. Y'know, we probably did bigger festivals since then; we probably headlined bigger festivals since then, but I will always remember that.
I was in a music class when I was little, and they discovered I had a talent and could sing. From there, I joined this singing troupe in California, and I would just go sing at festivals in this girl group and perform as much as I could.
The music business for me was never about buses and billboards you know, that was never the reason I got into the music business. The reason I wanted to get into the music business was because I genuinely, wholeheartedly love to sing. I love singing songs and telling stories and playing music, so that's why I got into the music business.
American audiences don't react in the same way as European ones to African music because, I think, Europeans listen to this music through all the festivals that exist here.
Usually when festivals are really huge it's kind of weird. It's totally fun for me and my band to play in front of a crowd that doesn't necessarily know who we are, but festivals get pretty impersonal when they get super large.
Career is a mindset. The wrong mindset. Career is linear. Especially when you are trapped in the TV or film world. The next thing you do has always got to be bigger, or it is perceived as a failure.
If I changed the mindset of some players or my mindset helped some players to be better - maybe. But I don't think it was me changing anything for the club because playing for Manchester United means playing with the pressure, playing with the responsibility.
When I was 14, I started playing in the bigger clubs in Holland and when I was 17, I started playing all of the festivals there.
I want to travel around the country and make my living playing music. I also try to behave in a way that I would appreciate as a music fan. That's how we conduct ourselves, be it in writing music or playing it live.
It is at programmes organised on the sidelines of temple festivals that you get to see raw audiences who will let you know immediately whether the act has clicked or not. It was those audiences who taught me how to strike a rapport with the audience.
Now you are seeing electronic dance music producers on TV, on talk shows. It's so great to see the festivals growing bigger and bigger, it's like one big family that's all partying with each other. I love being a part of that.
When I was 17, death metal and extreme hardcore was the best music in the world to me. But as I got older, my palette changed and my thirst for melody and emotion just got bigger and bigger.
Most people would say safety was my best position. To me, the biggest challenge and most gratifying thing I got out of playing football was playing corner, because it was a bigger challenge than playing safety. Playing corner provided me my biggest thrills and my biggest headaches.
Everything I do, I'm always playing music. When I wake up in the morning, I'm playing music. When I'm showering, I've got music playing. When I go to the field, music is playing.
I'm not in it for the money. I like music. I love to write music. I can't imagine myself not playing or singing or writing. It would just drive me crazy if I didn't.
I always knew I would sing. I just didn't know if I would be successful or not. But I sang at school, I sang at parties, I sang at church. Everyone always asked me to sing. I'd be playing football with my friends, and my parents would ask me to sing for their guests. I was never very happy about that because I wanted to play football.
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