A Quote by Carrie Vaughn

I punched to line. "Yes? What?" "Norville. It's Cormac. If you don't change the subject right now, I'm going to have to go over there and have a word with you. — © Carrie Vaughn
I punched to line. "Yes? What?" "Norville. It's Cormac. If you don't change the subject right now, I'm going to have to go over there and have a word with you.
Ooooh," Kate groans, Kate herself now. "I'm so afraid." "I know." "What am I going to do?" "You mean right now?" "Yes." "We'll go to my car. Then we'll drive down to the French Market and get some coffee. Then we'll go home." "Is everything going to be all right?" "Yes." "Tell me. Say it." "Everything is going to be all right.
Next caller. Betty, you're on the air. What's your question ?" "Hi, Kitty. I just wanted to know, are you going out with that Cormac guy from last month?" My jaw dropped. "What?" "Are you going out with that Cormac guy?" "We are talking about the same Cormac who tried to kill me on the air, yes? the guy who hunts werewolves for a living ?" "Uh-huh." "And you want to know if I'm dating him ? Why on earth do you think that's a good idea?
Desire is a word I'm tired of. I've been living with that word for years. Yes, of course, we're all desiring machines. I have sometimes wondered what people would want, if there were no advertising. And death, what other subject is there? It's the subject. It's our subject. It's the great human dilemma, that we die and know we will.
From a small child to right now - I mean, when I was five years old, Red Norville, Tal Farlow, Charles Mingus, Les Paul, Mary Ford, people like that were coming over to my house. So I was around professional adult mature musicians who had had big careers.
You can graph human evolution, which is mostly a straight line, but we do get better and change over time, and you can graph technological evolution, which is a line that's going straight up. They are going to intersect each other at some point, and that's happening now.
It's hard to choose the right word, the right line. This Body Mystery is a small book, but it took me over ten years.
Shaming and blaming your kid isn't going to make them change. You can't change yourself. Would I love to be tall and blonde? Yes, but that's not going to happen. I'm always going to be short and dark-haired, maybe gray-haired now.
I don't want to be like, yes, I think the American answer is always stupid, or I think it's always the right answer. So I'm in this weird place there. I'm feeling it out. Cambodia is going through an enormous amount of change right now. Daily.
Barack Obama said yesterday that the economy was 'going to get worse before it gets better.' See, that's when you know the campaign is really over. Remember before the election? 'The audacity of hope!' 'Yes, we can!' 'A change we can believe in!' Now it's, 'We're all screwed.'
There is nothing for you to go back and live over, or fix, or feel regret about now. Every part of your life has unfolded just right. And so - now - knowing all that you know from where you now stand, now what do you want? The answers are now coming forth to you. Go forth in joy, and get on with it.
Obviously, you take the risk to step over the line any time you do something where comedians interact with each other. Like a roast, somebody's always going to cross over the line. As far as the public goes, I like feedback, I like to hear laughter, and I like the occasional pointed heckle, but it's true: Everybody thinks that they need to express their opinion now. There's been this sea change where people are constantly writing to me directly about stuff, where in the past you'd never hear about it, because nobody would try to find you to make one of their stupid comments.
The prescription is that the subject must be made to show new aspects of itself; to prompt new questions; in a word, to change. From an unchanging subject the attention inevitably wanders away.
I'm just a normal fellow who gets punched in the face for a living and gets punched really hard at times as well. But you know what? I'm all right at punching them back.
Before, sometimes if the ball was played over my head I wouldn't know where I was but now I feel a lot more comfortable. Sometimes I would be going forward when it really wasn't the right time to go too, but now I'm picking my moments better.
If you give Chip a boundary, he's going to break that boundary. If you give him a rule, he's not going to follow it. And if you tell him, 'You can't go over this line,' he's going to put his toe over it.
I try to write very fast. I don't revise very much. I write the poem in one sitting. Just let it rip. It's usually over in twenty to forty minutes. I'll go back and tinker with a word or two, change a line for some metrical reason weeks later, but I try to get the whole thing just done.
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