A Quote by Cass McCombs

It's just a joy to be able to work with a lot of different musicians. When you play with great musicians, whether they're schooled or self-taught, they keep you on your toes.
When you play with great musicians, whether they're schooled or self-taught, they keep you on your toes. It comes down to people's personalities and individual energies.
A lot of musicians aren't proud; they'll do other work, just to be able to play music. I guess that's the way it's always going to be - musicians will have to suffer to a certain degree in order to obtain their outlet.
Musicians play music because you love... I loved to play drums since I was five. It's all I ever wanted to do. Rock stars, or as we call them, posers, guys who want to just look great, dress great. They're not musicians; they're looking for the fame.
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
I think the musicians I play with solo do a certain thing that the musicians we play with with the Indigo Girls don't do. It's just a different thing. And it sort of steers my writing in some ways.
Musicians know all about unemployment. You're unemployed a lot, and I think there's a great deal of empathy between musicians and people who are out of work.
It was about finding creative, original musicians. Musicians who are strong composers. Flexible, empathetic musicians, who are great individually but who also have a great sense for cooperation and collaboration, great listeners as well as great players.
Great musicians are great musicians, whether they're playing a trombone or an electric guitar or a xylophone.
Everybody now who's playing in Unicorn band is deeply schooled in music. I'm the only one who's self-taught, which I think is a bit hilarious because I'm leading the band and writing the songs, but I'm surrounded by such overwhelmingly competent musicians.
There's a bit of a new guard of contemporary classical musicians in New York, and we play a lot of different kinds of music together. We do pop studio sessions, and we'll also play John Cage and more avant-garde work. We're developing a language of music that comes with a lot of different styles, different kinds of work.
I've always taken a lot of joy in my work, but it's also been very results-oriented. It's kind of like, making the thing, and taking a lot of joy in that, as opposed to allowing myself to be transported by the work of my fellow musicians.
I think Baltimore is a wonderful artistic community with a lot of great musicians. It's kind of like a little secret for musicians.
Musicians don't respect a lot of the stuff that is on TRL and a lot of musicians think that stuff on the radio is not good musically so when musicians say that they like us it obviously feels good.
I like to play with people who can play simple and are not threatened by other musicians thinking they can't play. And that eliminates 99 percent of the musicians.
Folk musicians have a lot of the same self-importance, but they're way more cruel and jealous than rock musicians - I know this for a fact because I used to be a folk musician.
I basically taught myself how to sing and play by copying records, and that's just how it was for me. I know that's true for a lot of budding musicians out there - that's the thing that gets them inspired, is trying to learn their favorite songs. I think it's a great way to teach yourself.
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