A Quote by Cass McCombs

I don't have a problem doing interviews. It's not punishment. There's things about it that I don't like. No one else is really saying these kinds of things, so someone has to. I don't think that it's the most humbled thing to talk about yourself for hours and hours and hours.
I also listened to hours and hours and hours and hours and hours of [J.F.] Kennedy, and I sort of built [ accent]. And then I got on set [of 'J.F.Kennedy' movie ] and forgot it.But that's what you want to do. You want it to just be real. And I think authenticity was better than - people always talk about when an accent doesn't work, and the phrase you always hear is, "It was inconsistent."
It's a reasonable thing to tell somebody, 'I've watched 70 hours of 'Game of Thrones.'' That's a totally normal, boring thing to say about yourself. But if you were like, 'I just spent 100 hours playing 'Skyrim,'' people think you're a weirdo.
Being on the road has about 2 1/2 hours a day that are really great, and that's when you're onstage. The other 21 1/2 hours are very boring... It becomes like a void, and we chose to fill it with all the wrong things.
You are fooling yourself whenever you think you are productive just because you have worked fourteen hours in a day. You will be truly productive when you do the same amount of work in four hours, and take the other ten hours to enjoy the good things life has to offer.
When I was at the Cordon Bleu things took hours and hours and hours to make. And they were beautiful dishes - and I know how to cook that way - but I was like, 'no one is cooking like this.'
I sometimes have to think about that because if I think about these five things and think of them all, I'll drop the balls, so I really have to prioritize and use every free second I have and maximize it. I wake up early, try to get sleep, but try to write for at least three hours every day. A really nice day for me is writing ten hours. I love that. Hasn't been a lot of that recently, but every free second I have I'm doing that.
I do a lot of research for my books. I can't possibly know all the things I write about and I love learning new things. I spend hours and hours doing research in books, libraries and online. [Once] I traveled to the reservation to get the settings and the flavor of the place down right.
I think the older I've gotten the more, like most people, my appreciation shifts towards things that are very difficult, where you see people who have put in tremendous hours and hours of commitment.
I like being married to someone who does what I do, and we can talk for hours about all of this stuff that I struggle with and all this stuff that he struggles with because we're struggling with the same things. If I was married to a banker, I don't know what we'd talk about.
Dancing is still, for me, one of those things that no matter when I do it and it sounds corny and cliche, but time stands still. I could literally dance for hours and hours on end and not realize that I've been dancing for hours and hours on end. In the right setting, I could literally dance all day and have a blast. It seems like one moment to me. There's nothing else going on, and it's the ultimate release.
There are those who advocate, and those who do. I'm not trying to slight my peers, but there is a difference between using a soapbox and actually getting your hands dirty. I've spent not only years and millions of dollars but hours and hours and hours of my time doing what I do, and that's very different from what anyone else is doing.
I'm a method writer. In order to write about the emotion, I have to experience it. I get physically tired and exhausted, devoting hours and hours and hours to it.
That's the problem with bacterial meningitis: it progresses really fast. You think you have the flu, and they say within 15 hours it's severely deadly - for sure within the first 24 hours - but even the first 15 hours.
There's people who can, like, dive into material for hours and hours and hours and work on one tiny little specific thing without getting bored of it. Learning how to do that was, like, very useful.
A really good day for me is to write my book for about four hours, go to the writing room for about four hours and then maybe come back to the book to finish the day for a few more hours of it.
You can do things with TV that you just can't do on film. There's so much more time: there's the opportunity for development, and you can let things lay dormant for a period. You can't really do that in two hours or three hours in a movie that often, I would say.
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