A Quote by Cate Blanchett
It's not just women in film, 18-year-old girls feel pressure to do preventative injecting. I see someone's face, someone's body who has had children and I think, they're the song lines of your experience, and why would you want to eradicate that? I look at people sort of entombing themselves and all you see is their little pin holes of terror... and you think, just live your life, death is not going to be any easier just because your face can't move.
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When you’ve had children, your body changes; there’s history to it. I like the evolution of that history; I’m fortunate to be with somebody who likes the evolution of that history. I think it’s important to not eradicate it. I look at someone’s face and I see the work before I see the person... You’re certainly not staving off the inevitable. And if you’re doing it out of fear, that fear’s still going to be seen through your eyes. The windows to your soul, they say.
What I try to do is to make your face look like it did when you were younger. I always tell people it's not just about filling in the lines, but re-creating the shape of your face as it was in your early- or mid-twenties. People see the lines as they age but they don't see how their shape is changing. I think it's all about restoring the contours. You can fill in a line and it makes you look a little better, but it doesn't make you look younger.
You know when you see a gorgeous boy on the street and you say to your friend, "Look at him!" and then your friend makes a face like, ugly? We all have such totally varied tastes that someone is going to look at you and think, yum-yum dee-lish, no matter what you think you look like. You just have to learn to see what they see.
It seems like the world is so fast to move its interest to someone else. When I think about filmmakers and actresses that I have admired my whole life, I've admired their entire body of work. I have admired what they began with and what they're doing now. And now I feel like there's such a weird pressure to find the new face. I don't get it at all. I want to see women evolve. I want to see a body of work. I want to see all of it.
I am grateful to learn from their mistakes, because I am not injecting s- into my face. I see them and my heart breaks. I think, 'Oh God, if you only know how much older you look.' They are trying to stop the clock and all you can see is an insecure person who won't let themselves just age. I also have a fiancé who will put a gun to my head if I touch my face in any way.
Just imagine living in a world without mirrors. You'd dream about your face and imagine it as an outer reflection of what is inside you. And then, when you reached forty, someone put a mirror before you for the first time in your life. Imagine your fright! You'd see the face of a stranger. And you'd know quite clearly what you are unable to grasp: your face is not you.
The next time you look into the mirror, try to let go of the storyline that says you're too fat or too sallow, too ashy or too old, your eyes are too small or your nose too big; just look into the mirror and see your face. When the criticism drops away, what you will see then is just you, without judgment, and that is the first step towards transforming your experience of the world.
I think that I sort of see other actresses are kind of proud of the way they look and show it off. That's never really been my style. I really don't think that it's disgusting or wrong, if you're 18 you're 18, it's your body, it's your right to show yourself, however, I don't really take a part in that. I like to look nice, but I think that there's ways of doing it that are more tasteful than just wearing a bikini wherever you go.
I can’t see through clothes or anything. Just glamour skin. Except I can see through all of you, since your clothes aren’t real.” I stopped, horrified. “I mean, I don’t look—It’s hard to see you, and I like looking at your real face, but I don’t try to see anything, because—Oh gosh, this sounds terrible.” He had a funny look on his face, like he wasn’t sure what to think. “Huh. That’s never been an issue before. Maybe next time you could bring me some shorts.
I don't think people realize that what we eat and your stress levels impact the way that you look. Not just your body, but your face and your overall well-being.
If you're a 50-year-old guy, and you're sitting around the house with - you know, and just getting fatter, feeling sorry for yourself, get up and move your body and see what it does to your life and to your mind and to your happiness and to your energy levels. And I get all that from boxing.
I look at someone's face and I see the work before I see the person. I personally don't think people look better when they do it; they just look different.
You can't just think up a move in your head and go, 'Okay, I'll just pick somebody up, and I'm just going to throw them backwards into the post.' You have to think, 'Would you want someone to do the same thing to you?'
I just believe that whatever you put into your system you're going to see on your face and your body.
Try not to completely change your diet just because you read it somewhere or someone tells you it works for them. Do what is best for your body and don't think that just because everyone else is doing it that it will work for you. Know what fuels your body to be at its best, and enjoy the little things! Indulge! Cupcakes and cookies.
What people don't understand about making a film is sometimes your experience on the film shapes who you are. You're gone to another country for five months, maybe more, there's training leading up to it... It's a whole life experience that people don't see because they just see the final product wrapped up in a couple hours. You don't see everything that happens around it. I think it's hard to say one movie or one thing; I think they all shape who you are.
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