A Quote by Catherynne M. Valente

Monsters almost always are culture's way of working out their fears. — © Catherynne M. Valente
Monsters almost always are culture's way of working out their fears.
Monsters almost always are culture's way of working out their fears and are thus inherently incredibly interesting and powerful.
The power of monsters is, it is a way of giving almost tangible substance to fears, beliefs, things that aren't real. You can coalesce it and draw it, or describe it, and it's a monster.
The way I love monsters is a Mexican way of loving monsters, which is that I am not judgmental. The Anglo way of seeing things is that monsters are exceptional and bad, and people are good. But in my movies, creatures are taken for granted.
Theres nothing to fear but fears themselves, such as monsters, rejection, food poisoning, redundancy, monsters, and oxford commas.
I was way into 'Voltron,' Ray Harryhausen: anything with giant monsters, I was really into. Even dinosaurs - for a while, I wanted to be a paleontologist. So it's almost like primal, ancestral mythology to me, this fascination with monsters.
One of my favorite things about hanging out with the monsters is the healing. Straight humans seemed to get killed on me a lot. Monsters survived. Let's hear it for the monsters.
The problem with people who say monsters don't really exist is that they're almost never saying it to the monsters." —Alice Healy
The living always think that monsters roar and gnash their teeth. But I've seen that real monsters can be friendly; they can smile, and they can say please and thank you like everyone else. Real monsters can appear to be kind. Sometimes they can be inside us.
Powerful people are always in charge. You have to acknowledge that and deal with it as a reality. They're not devils. They're not monsters. They're human beings, like us, that have their share of insecurities and fears. You have to contemplate that as you go through life.
If you come from a working-class background, you can't afford to write full time, because you're just not being paid. Basically, all my arguments come down to Marxist doctrine: The world is shaped by money, so the only voices you'll hear are the ones with money behind them. But thankfully, culture and cool are some things that circumvent money, because if you're cool, people will want to give you money - suddenly you shape the market and people start coming to you. Which is why culture has always been a traditional way out for working-class people.
The assumption that the larger culture agrees with Christians on values issues led to evangelicals' minimizing the theologically distinctive aspects of Christian witness. It also set up evangelicals to be disappointed when the culture did not turn out the way many expected it to turn out. So our response ought to be that we are always, in every culture, strangers in exile.
Find the Silver Lining: When things don't work out the way you wish, always look for some positive outcome to the situation working out the way it did. For example, you can always be grateful that things didn't turn out even worse.
Most of the monsters... are based on some sort of mythology. Every culture and even some geographical areas have monsters and mythology that is their own.
'Monsters,' everybody has the thought of monsters in your closet as a kid, and more importantly, the idea of becoming a parent. We're always kind of looking for those emotional nuggets. They're always at the heart of the story.
I'm sketching ideas. They're a completely different way of working than working with editors at a magazine where you're always working with permission; approval. I'm willing to make a gentle separation. I still need to do that work since I enjoy it. It gives me access to a lot of energy in life and culture. But also, there's a part of me that is dark, sarcastic, funny. Unpredictable, even naughty.
I've just always liked monsters, since I was a little kid. It was always the thing I found interesting. It's always what I wanted to draw; it's always what I wanted to read, and so, yeah, I don't know. It's a good question for a therapist, why I like monsters. But I tend to not question it. It's what pays the bills, so that's kind of nice.
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