A Quote by CeeLo Green
All I'll say is... I'm at a point in life when nothing feels shocking to me. I need something to shock me! I'm almost ready to see a U.F.O.
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People expect me to me a 'shock rocker,' but there's nothing you can do anymore to be shocking.
It bothers me when people say 'shock comic' or 'gross-out' because that was only one type of comedy I did. There was prank comedy. Man-on-the-street-reaction comedy. Visually surreal comedy. But you do something shocking, and that becomes your label.
We never really tried to shock for shock's sake on 'Family Guy.' If something was horribly offensive and shocking we would put it in if it was also hysterically funny.
We never really tried to shock for shock's sake on 'Family Guy'. If something was horribly offensive and shocking, we would put it in if it was also hysterically funny.
I think it's a feeling like I've got it all figured out. There's nothing that can shock me anymore. There's nothing I haven't anticipated; so at that point, there is a calmness.
And you still love Marc?" "More than I can even explain. He's my rock—strong and steady, and ready for anything. He knows what I need before I know it, and he pushes me to work harder, and look deeper, and be better. He challenges me, and infuriates me, and he lights me on fire, deep in my soul. And he has never, ever let me down. Sometimes it feels like he's the only thing keeping my heart beating. I love him so much that it feels like I'm dying a little bit every day that he won't smile at me. Or touch me.
Lie beside me. Let me see the division of your pores. Let me see the web of scars made by your family's claws and you their furniture. Let me see the wounds that they denied. The battle ground of family life that has been your body. Let me see the bruised red lines that signal their encampment. Let me see the routed place where they are gone. Lie beside me and let the seeing be healing. No need to hide. No need for either darkness or light. Let me see you as you are.
I'm ready for Anthony Joshua. Hopefully he's overlooking me, thinking I'll be a piece of cake. It's a whole different ballgame when they're in the ring with me. Once they see the speed and accuracy I have, I know I will shock him a lot.
It's kind of like when you look at yourself in the mirror and you say your name. And it gets to a point where none of it seems real. Well, sometimes I can do that, but I don't need an hour in front of a mirror. It just happens very fast, and things start to slip away. And I just open my eyes, and I see nothing. And then I start to breathe really hard trying to see something, but I can't. It doesn't happen all the time, but when it does, it scares me.
There are people who, if they see something in couture that they perceive as ready-to-wear, they're in shock.
When we pray for God to illumine our path, we are saying, ‘Dear God, please show me the way. What thoughts do I need to think, to be able to navigate my life at this point? What perceptions do I need; what insights will guide me? Who do I need to forgive? What parts of my personality do I need to look at; what changes do I need to make? Please come upon me and heal my life. Amen.
There's nothing you could say that would shock me.
Everyone asks me, 'Why do you choose such subversive or shocking themes?' but when I'm alone in my office, I'm not like, 'OK I'm going to shock.' I want to write about a character who fascinates me, someone who I don't understand.
It seemed clear to me that life and the world somehow depended upon me now. I may almost say that the world now seemed created for me alone: if I shot myself the world would cease to be at least for me. I say nothing of its being likely that nothing will exist for anyone when I am gone, and that as soon as my consciousness is extinguished the whole world will vanish too and become void like a phantom , as a mere appurtenance of my consciousness, for possibly all this world and all these people are only me myself.
I need to push myself. I'm not saying that I just want to do anything that's shocking, but when you have that combination of a script that's really beautiful and extremely shocking, it's exciting for me.
You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
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